Art & Entertainment The Brutalist Review: Adrien Brody Dazzles In Soaring, Incongruous Post-War Parable BY Debanjan Dhar
Art & Entertainment Nickel Boys Review: RaMell Ross’ visceral racist reform school-set film is one of the year’s staggering achievements BY Debanjan Dhar
Art & Entertainment Superboys of Malegaon Review: Adarsh Gourav and Shashank Arora beguile and devastate in warm, disarming drama BY Debanjan Dhar
Art & Entertainment A Complete Unknown Review: Timothée Chalamet brings headily impassioned and elusive charge to Bob Dylan biopic BY Debanjan Dhar
Art & Entertainment Baksho Bondi (ShadowBox) Review: Tillotama Shome anchors the drama with fine-steel spirit and immense soul BY Debanjan Dhar
Art & Entertainment Vaghachipani (Tiger’s Pond) Review: Natesh Hegde’s transfixing, tightly composed drama is driven by consequence and cover-ups BY Debanjan Dhar
Art & Entertainment Babygirl (2024): With Infidelity As The Cost of Sexual Liberation, Can Love Withstand The Aftermath? BY Sakshi Salil Chavan
Art & Entertainment Hal & Harper Review: Lili Reinhart anchors bittersweet, sweeping family-snapshot BY Debanjan Dhar
Art & Entertainment Bokshi Review: Ambitious, expansive eco-horror mounted with energetic vision BY Debanjan Dhar
Art & Entertainment Sorry, Baby Review: A Mordant, Fresh Rewrite Of Trauma Narratives BY Debanjan Dhar
Art & Entertainment Train Dreams Review: Joel Edgerton delivers career-best turn in a miracle of a film BY Debanjan Dhar
Art & Entertainment Sauna Review: Mathias Broe’s Scorching, Searching Debut Holds Nothing Back BY Debanjan Dhar
Art & Entertainment Twinless Review: Dylan O’Brien Enthralls In This Shifty Instant Classic Circling A Twisted Friendship BY Debanjan Dhar
Art & Entertainment Chloé Robichaud’s Two Women Steers Erotic Rediscovery With Comic Feistiness BY Debanjan Dhar
Art & Entertainment Sabar Bonda Review | Rohan Kanawade delivers the year's most stunning, emotionally immersive Indian film BY Debanjan Dhar
Art & Entertainment Emergency Review: Kangana Ranaut Turns Indira Gandhi Biopic Into Farce BY Debanjan Dhar
Art & Entertainment Juror #2 Review: Nicholas Hoult Shines In Subdued, Effective Courtroom Drama BY Debanjan Dhar
Art & Entertainment IFFK 2024|Misericordia Captures A Community Mired In Lust And Secrets BY Debanjan Dhar
Art & Entertainment Mati Diop’s Dahomey Bridges The Past And Present Through Looted Colonial Artefacts BY Debanjan Dhar
Art & Entertainment The Triumph of Innocence over Intellect: An Examination of Faith and Manipulation in Heretic BY Sakshi Salil Chavan
Movie Review Grand Ciel (The Site) Review | A Capitalist Horror Minus The Jump Scares BY Debiparna Chakraborty
Movie Review The Conjuring: Last Rites Review | A Final Bow To The Warrens That Never Truly Arrives BY Sakshi Salil Chavan
Movie Review Lokah Chapter 1: Chandra Review | A Masterclass In Worldbuilding & Franchise-Debuts BY Sakshi Salil Chavan
Art & Entertainment Songs Of Forgotten Trees Review | Anuparna Roy’s Tale Of Two Roommates Risks Being Skin-deep BY Debanjan Dhar
Movie Review The Roses Review | Olivia Colman And Benedict Cumberbatch’s Film Is Wickedly Humorous, Softly Bitter BY Srishti Walia
Art & Entertainment Songs Of Paradise Review | Unfulfilled Possibilities In A Tale Of An Artist’s Conflict BY Sakshi Salil Chavan
Art & Entertainment Param Sundari Review | Sidharth Malhotra And Janhvi Kapoor Are The Year’s Dullest Duo In Kerala-Tourism-Ad Disaster BY Debanjan Dhar
Art & Entertainment Secret Of A Mountain Serpent Review | Nidhi Saxena’s Stunning Sophomore Frees Womanhood Through Mystical Reverie BY Debanjan Dhar
