Asha Bhosle passed away on April 12 at Breach Candy Hospital, marking the end of an era, but leaving behind a voice that will continue to inspire listeners and soften the void left by her absence.
Sakshi Salil Chavan
About The Author
Sakshi is a sub-editor at the Outlook Entertainment Desk. She’s also a documentary filmmaker and mixed-media artist based in Mumbai.
About The Author
Sakshi is a sub-editor at the Outlook Entertainment Desk. She’s also a documentary filmmaker and mixed-media artist based in Mumbai.
Jonah Hill’s Outcome (2026) circles Hollywood’s obsession with image consciousness yet never pierces its surface.
BY Sakshi Salil Chavan 11 April 2026
Toh, Ti Ani Fuji (2026) is fantastic, carried almost entirely by its phenomenal actors who slip effortlessly between awkward silences, flashes of hatred, simmering passion and a relatable sense of adulthood—sometimes all in the same breath.
BY Sakshi Salil Chavan 10 April 2026
Renowned Malayalam filmmaker Ranjith Balakrishnan has been arrested in a sexual harassment case, reigniting concerns about women’s safety on film sets and the culture of powerful men protecting each other.
BY Sakshi Salil Chavan 7 April 2026
Maamla Legal Hai : Season 2 (2026) ultimately conveys that court cases can be bizarre, as is life. But with a little bit of humour, humility and grace, the right verdict of justice can be made.
BY Sakshi Salil Chavan 3 April 2026
- Muthu Alias Kaattaan Review | Vijay Sethupathi Leads A Self-Assured, Multi-Faceted Rural Crime Drama
Directed by M. Manikandan and B. Ajith Kumar, one of the greatest strengths of this JioHotstar series lies in its portrayal of human complexity and the many lives a person is capable of living.
BY Sakshi Salil Chavan 29 March 2026
The “indie” has long remained both an aesthetic and systemic outlier. Yet through it all, the industry endures—continually discovering creative, innovative and logistical pathways that empower the art of guerrilla storytelling.
BY Sakshi Salil Chavan 29 March 2026
Riz Ahmed’s ‘Bait’ (2026) examines the brown celebrity (and family) through a self-aware comic frame that is at once incisive and reflective.
BY Sakshi Salil Chavan 26 March 2026
Amid the state-aligned censorship of ‘The Voice of Hind Rajab’ (2025) by the CBFC, here are ten films on Palestinian lives that remain accessible to watch in India.
BY Sakshi Salil Chavan 21 March 2026
Aditya Dhar’s second instalment in the franchise reveals clear ambition, but raises a pressing question: does it genuinely register the suffering of victims of war, or does it reduce them to instruments of provocation for a gory spectacle?
BY Sakshi Salil Chavan 19 March 2026
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