Overall, ‘Ikkis’ proves to be a fantastic palate cleanser to the nationalistic drama genre, balancing the appetite for action with the very real human costs of war.
Sakshi Salil Chavan
About The Author
Sakshi is a sub-editor at the Outlook Entertainment Desk. She’s also a documentary filmmaker and mixed-media artist based in Mumbai.
About The Author
Sakshi is a sub-editor at the Outlook Entertainment Desk. She’s also a documentary filmmaker and mixed-media artist based in Mumbai.
Outlook's Picks 2025: Five Indian films that mattered more than box office—from Lokah's superhero revolution to Bad Girl's honest coming-of-age. Discover the year's most powerful, provocative, and heartfelt cinema.
BY Sakshi Salil Chavan 31 December 2025
Wright delivers a film that functions efficiently as studio entertainment, while sidestepping the discomfort that once made King’s story sting. For a story about running for one’s life, it rarely feels like it’s risking anything at all.
BY Sakshi Salil Chavan 26 December 2025
The film is admirably sturdy, even if it is familiar in its preoccupation with grief and mortality, for it is elevated by a cast that really brings the best out of each other.
BY Sakshi Salil Chavan 25 December 2025
Whether one prefers the bittersweet ache of a delicate romance or the absurdity of holiday misadventures, here are Outlook’s picks for ten must-watch Christmas films (listed without ranking), that need to be on your watchlist this year.
BY Sakshi Salil Chavan 23 December 2025
Here are Outlook’s picks for seven of the year’s strongest OTT shows (listed without ranking), each that made its presence memorable:
BY Sakshi Salil Chavan 20 December 2025
The film delivers a searing meditation on the cost exacted by unbridled power and entitlement, drawn with uncanny precision from the textures of real life. Trehan once again asserts that his storytelling demands attention, refusing to dilute his politics into a neat, palatable “Netflix formula.”
BY Sakshi Salil Chavan 19 December 2025
The challenge before Hindi cinema is no longer commercial viability but imaginative courage. Spy films that once relied on complex narratives, moral ambiguity, and high stakes are now using those same tools to increasingly pander to specific demographics, often pitting them against one another.
BY Sakshi Salil Chavan 18 December 2025
At a time when the country is choking on polluted air, unsafe water, a cost-of-living crisis, gendered violence, caste discrimination, and countless unresolved failures, it is stunning how the parameter of “love for the nation” is rerouted towards conveniently manufactured communal provocations.
BY Sakshi Salil Chavan 15 December 2025
Saali Mohabbat walks boldly into the feminist-crime space, with a quiet fury, even if its ideas don’t always cut as deep as its intentions. And while Chopra’s debut hits and misses some punches, it carries an emotional undercurrent that lingers.
BY Sakshi Salil Chavan 12 December 2025
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