In her tenth novel, Patchett mines a surprising reunion for a muted but moving reconsideration of relationships, old and new
As The Currents opens in US, the Argentine auteur discusses its deliberate mysteries, respecting a character’s autonomy, why releasing it in her country was a defiant move against the government
BY Debanjan Dhar 24 May 2026
Cannes 2026 | Julien Gaspar-Oliveri’s nightmarish Critics’ Week title is an intense, unforgiving examination on familial fractures
BY Debanjan Dhar 23 May 2026
Cannes 2026 | The Chilean filmmaker’s Directors’ Fortnight title is hewn around dense emotional landscapes of a recluse and her enduring scars
BY Debanjan Dhar 22 May 2026
The establishment of Israel has been accompanied by a national cinema devoted to negating and erasing the Palestinian Other
BY Debanjan Dhar 21 May 2026
Cannes 2026 | Konstantina Kotzamani’s Un Certain Regard title offers beguilingly dark visions of Japanese boarding school girls training to be professional mermaids
BY Debanjan Dhar 20 May 2026
Cannes 2026 | Set amongst the Kinnar community, Nepal’s first-ever Un Certain Regard selection is a searing, shattering portrait of resistance
BY Debanjan Dhar 20 May 2026
Cannes 2026 | Pierre Le Gall’s Critics’ Week title reveals tender possibilities within gruff male trucking spaces
BY Debanjan Dhar 20 May 2026
Cannes 2026 | Produced by Apichatpong Weerasethakul, Sompot Chidgasornpongse’s calm, reflective Directors’ Fortnight title tracks a family of nine on a nine-temple merit-making pilgrimage
BY Debanjan Dhar 19 May 2026
Cannes 2026 | Blending existential mystery and loneliness, the Critics’ Week knockout trails a knot of French high-schoolers on a fateful trip to Pompeii and Naples as sexual desire, disillusionment and disaster explode
BY Debanjan Dhar 19 May 2026
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