BIFF 2025 | Anoop Lokkur’s Don’t Tell Mother is both a love letter to childhood and an unflinching look at its shadows.
Debiparna Chakraborty
About The Author
Debiparna Chakraborty is a film, TV, and culture critic dissecting media at the intersection of gender, politics, and power.
About The Author
Debiparna Chakraborty is a film, TV, and culture critic dissecting media at the intersection of gender, politics, and power.
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The Ba***ds Of Bollywood Review | Aryan Khan’s Satire On Industry Glitz Bursts With Masala And Chaos
It is a high-energy, meta-driven opening hour that’s equal parts fun and exhausting, made for those who keep up with the Bollywood gossip brigade more than their family Whatsapp group dramas.
BY Debiparna Chakraborty 18 September 2025
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Freaky Tales unfolds as four interconnected narratives, each eccentric in its own way, stitched together by the looming presence of fascist forces.
BY Debiparna Chakraborty 13 September 2025
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Venice Film Festival 2025 | Grand Ciel is a commentary on the quiet brutality of capitalism’s dispassionate machinery, of disappearing worker rights, and the cost of countless human lives caught in the loop.
BY Debiparna Chakraborty 5 September 2025
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Alfred Gough and Miles Millar’s Wednesday can still be a ghoulish delight, thanks to strong casting, sharp performances, and artistic flourish. But the series undermines its own strengths and teeters closer to being television engineered for distraction rather than immersion.
BY Debiparna Chakraborty 4 September 2025
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Alongside films like Thelma and series like Only Murders in the Building, The Thursday Murder Club offers something we need more of—silver sleuths as protagonists.
BY Debiparna Chakraborty 31 August 2025
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The angry reactions to the trailer of ‘Param Sundari’ on social media only prove that Bollywood cannot keep claiming cosmopolitanism, while clinging to its arrogant Hindi hegemony.
BY Debiparna Chakraborty 22 August 2025
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In Amazon Prime’s latest original—an adaptation of J.P. Monninger’s 2017 novel—no subplot develops, no friendships are fleshed out, and certainly no counterbalance emerges to save the central romance from its mind-numbing blandness.
BY Debiparna Chakraborty 20 August 2025
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Once a filmmaker of enormous potential, Gowariker’s name is now associated with creative irrelevance and a political turn to the right. His role as the jury head of the National Film Awards has also reignited criticism of the institution itself.
BY Debiparna Chakraborty 11 August 2025
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In a country where celebrities are deified and worshipped, we do not want to know that they live with the same fears, melancholia, and biochemical imbalances as the rest of us.
BY Debiparna Chakraborty 5 August 2025
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