Art & Entertainment Vaghachipani (Tiger’s Pond) Review: Natesh Hegde’s transfixing, tightly composed drama is driven by consequence and cover-ups BY Debanjan Dhar
Art & Entertainment Babygirl (2024): With Infidelity As The Cost of Sexual Liberation, Can Love Withstand The Aftermath? BY Sakshi Salil Chavan
Art & Entertainment Hal & Harper Review: Lili Reinhart anchors bittersweet, sweeping family-snapshot BY Debanjan Dhar
Art & Entertainment Bokshi Review: Ambitious, expansive eco-horror mounted with energetic vision BY Debanjan Dhar
Art & Entertainment Sorry, Baby Review: A mordant, fresh rewrite of trauma narratives BY Debanjan Dhar
Art & Entertainment Train Dreams Review: Joel Edgerton delivers career-best turn in a miracle of a film BY Debanjan Dhar
Art & Entertainment Sauna Review: Mathias Broe’s Scorching, Searching Debut Holds Nothing Back BY Debanjan Dhar
Art & Entertainment Twinless Review: Dylan O’Brien Enthralls In This Shifty Instant Classic Circling A Twisted Friendship BY Debanjan Dhar
Art & Entertainment Chloé Robichaud’s Two Women Steers Erotic Rediscovery With Comic Feistiness BY Debanjan Dhar
Art & Entertainment Emergency Review: Kangana Ranaut Turns Indira Gandhi Biopic Into Farce BY Debanjan Dhar
Art & Entertainment Juror #2 Review: Nicholas Hoult Shines In Subdued, Effective Courtroom Drama BY Debanjan Dhar
Art & Entertainment IFFK 2024|Misericordia Captures A Community Mired In Lust And Secrets BY Debanjan Dhar
Art & Entertainment Mati Diop’s Dahomey Bridges The Past And Present Through Looted Colonial Artefacts BY Debanjan Dhar
Art & Entertainment The Triumph of Innocence over Intellect: An Examination of Faith and Manipulation in Heretic BY Sakshi Salil Chavan
Movie Review Emilia Pérez Review: Karla Sofia Gascón powers silly, scatterbrained musical BY Debanjan Dhar
Movie Review The Fable Review: Raam Reddy’s Sublime Second Feature Glides Between The Real And Dreamlike BY Debanjan Dhar
Movie Review Girls Will Be Girls Review: Shuchi Talati’s Tense, Razor-sharp Debut Slices Through Control And Freedom BY Debanjan Dhar
Movie Review Occupied City Review: Steve McQueen’s Holocaust Documentary Wearily Cuts Between Past and Present-Day Amsterdam BY Debanjan Dhar
Movie Review CTRL Review: Vikramaditya Motwane’s Digital Thriller Offers Recycled Ideas On Tech And Boundaries BY Debanjan Dhar
Movie Review Heartstopper Season 3 Review: Queer YA Romance’s Airbrushed Tone Gets In The Way Of Growth BY Debanjan Dhar
Movie Review Ghaath Review: Chhatrapal Ninawe’s Three-Way Thriller Is Both Compelling And Frustrating BY Debanjan Dhar
Movie Review Sector 36 Review: Vikrant Massey-Deepak Dobriyal Thriller Lacks Sting And Empathy BY Debanjan Dhar
Movie Review The Buckingham Murders Review: Kareena Kapoor Is Overburdened In Tedious, Unfocused Police Procedural BY Debanjan Dhar
Movie Review Kinds of Kindness Review: Yorgos Lanthimos Serves A Kinky, Twisted Triptych BY Debanjan Dhar
Movie Review Vaazhai Review: Mari Selvaraj’s Devastating Drama Is Half-Undone By Its Strained Beauty BY Debanjan Dhar
Movie Review 'IC 814: The Kandahar Hijack' Review: Politically Glib Thriller Struggles To Land Varying Perspectives BY Debanjan Dhar
