Movie Review Ghaath Review: Chhatrapal Ninawe’s Three-Way Thriller Is Both Compelling And Frustrating BY Debanjan Dhar
Movie Review Sector 36 Review: Vikrant Massey-Deepak Dobriyal Thriller Lacks Sting And Empathy BY Debanjan Dhar
Movie Review The Buckingham Murders Review: Kareena Kapoor Is Overburdened In Tedious, Unfocused Police Procedural BY Debanjan Dhar
Movie Review Kinds of Kindness Review: Yorgos Lanthimos Serves A Kinky, Twisted Triptych BY Debanjan Dhar
Movie Review Vaazhai Review: Mari Selvaraj’s Devastating Drama Is Half-Undone By Its Strained Beauty BY Debanjan Dhar
Movie Review 'IC 814: The Kandahar Hijack' Review: Politically Glib Thriller Struggles To Land Varying Perspectives BY Debanjan Dhar
Movie Review Rapture Is A Sensory, Original Fable Teeming With Metaphysical Discovery BY Debanjan Dhar
Movie Review 'Angry Young Men' Review: A Meek, Bland Ode To Bollywood’s Edgiest Screenwriters BY Tanul Thakur
Movie Review 'Lost Migrations' Review: The Animated Anthology Invokes Post-Partition Rootlessness In Unified Variation BY Debanjan Dhar
Movie Review Shekhar Home Review: Bengali Refashioning Of Sherlock Holmes Is Littered With Ludicrous, Inert Mysteries BY Debanjan Dhar
Movie Review 'Phir Aayi Hasseen Dillruba' On Netflix Movie Review: Vikrant Massey-Sunny Kaushal's Strong Performances Elevate A Predictable, Weak Narrative BY Snigdha Nalini
Movie Review 'Kingdom Of The Planet Of The Apes' On Hotstar Movie Review: Wes Ball Delivers A Visually Appealing Film That Is Packed With Stellar Performances BY Snigdha Nalini
Movie Review 'Tribhuvan Mishra CA Topper' On Netflix Review: Manav Kaul’s Desperate Attempt To Save This Weakly Implemented Series Is Evident Throughout BY Snigdha Nalini
Movie Review 'Aadujeevitham' On Netflix Movie Review: Prithviraj Sukumaran Gives A Career Defining Performance In Blessy's Masterpiece BY Snigdha Nalini
Movie Review 'Maharaja' On Netflix Movie Review: Vijay Sethupathi's Stellar Performance Is The Highlight In Nithilan Swaminathan's Well-Written Tale Of Revenge BY Snigdha Nalini
Movie Review 'Pill' On JioCinema Review: This Pharma Drama Is A Slow Burn Despite Riteish Deshmukh's Compelling Efforts BY Snigdha Nalini
Movie Review 'Mirzapur 3' On Prime Video Review: Ali Fazal-Shweta Tripathi Lead The Charge In This Slow But Intense Crime Thriller BY Snigdha Nalini
Movie Review 'Abigail' On BookMyShow Stream Movie Review: This Vampire Thriller Is More Laughable Than Scary BY Snigdha Nalini
Movie Review 'Sharmajee Ki Beti' On Prime Video Movie Review: Tahira Kashyap's Directorial Debut Delicately Captures The Essence Of Being A Woman BY Snigdha Nalini
Movie Review 'Rautu Ka Raaz' On Zee5 Movie Review: Nawazuddin Siddiqui Anchors A Mediocre Murder Mystery Filled With Predictability BY Snigdha Nalini
Movie Review 'Trigger Warning' On Netflix Movie Review: Jessica Alba's Comeback Film Will Make You Yawn With Its Predictability And Dullness BY Snigdha Nalini
Movie Review 'Kota Factory 3' On Netflix Review: Jitendra Kumar And Tillotama Shome's Human Performances Fail To Save This Preachy Show BY Snigdha Nalini
Movie Review 'Do Aur Do Pyaar' On Disney+ Hotstar Movie Review: Vidya Balan-Pratik Gandhi's Chemistry Keeps This Romcom From Becoming A Yawn Fest BY Snigdha Nalini
Movie Review 'The Fall Guy' On BookMyShow Stream Movie Review: Ryan Gosling-Emily Blunt's Chemistry Lights Up This Delightful Action-Romcom BY Snigdha Nalini
Movie Review 'Blackout' On JioCinema Movie Review: Vikrant Massey Fails To Save This Heist Comedy Marred By Poor Writing And Forced Jokes BY Snigdha Nalini
Movie Review 'Gullak 4' On SonyLIV Review: The Mishra Family Retains Its Warmth But Story Falls Short Of Its Previous Seasons BY Snigdha Nalini
Movie Review ‘Only Love Gets Reply’ Music Review: Unpacking Ikka’s The Ultimate Desi Hip-Hop Experience BY Prateek Sur
Movie Review 'Eric' On Netflix Review: Benedict Cumberbatch Elevates This Drama Which Struggles To Find Its Footing Amidst Myriad Themes BY Snigdha Nalini
Movie Review ‘Mr. & Mrs. Mahi’ Movie Review: Rajkummar Rao And Janhvi Kapoor’s Cricket Film Disappoints Massively BY Prateek Sur
