Art & Entertainment Chaar Phool Hain Aur Duniya Hai Review | Unbound Snippets From A Writer’s World BY Apeksha Priyadarshini
Art & Entertainment Small Things Like These Review: Cillian Murphy is wrenching as a haunted, conflicted rebel in 80s Ireland drama BY Debanjan Dhar
Art & Entertainment Super Happy Forever Review: Kohei Igarashi's Pensive Take On Love And Impermanence BY Aranya Mukerji
Art & Entertainment Nepotism, Censorship & The Death Of India’s Streaming Revolution BY Debiparna Chakraborty
Art & Entertainment Camera’s Gaze on Nagaland in Paatal Lok 2: Northeast India in New-Age Hindi Cinema BY Akishe L Jakha
Art & Entertainment We Live Here is an urgent, impassioned reckoning with nuclear legacy BY Debanjan Dhar
Art & Entertainment Flow Review: Minimalist, Meditative Parable About Life, Death & Found Families BY Debiparna Chakraborty
Art & Entertainment Gravity, And Its Uncanny Resemblance To The Adventures Of Suni And Butch BY Apeksha Priyadarshini
Art & Entertainment Beyond The Blockbuster: What's the future of non-tentpole films in theatres in India BY Tatsam Mukherjee
Art & Entertainment Chhaava, Bollywood’s Medieval Obsession, And The Villainising Of Muslims BY Apeksha Priyadarshini
Art & Entertainment Aamir Khan’s Career Lows: Films That Didn’t Do Well At The Box Office BY Jagisha Arora
Art & Entertainment Adolescence Review: Of Sons And Fathers, Radicalisation And Rage BY Debiparna Chakraborty
Art & Entertainment How The Film Society Movement In Kerala Nurtured The State's Film Culture BY Shahina K. K.
Art & Entertainment Aamir Khan: The Rise And Reckoning of Bollywood’s Perfectionist BY Debiparna Chakraborty
Art & Entertainment Mayanagar Review: Aditya Vikram Sengupta's film captures the wonder and disillusionment of Kolkata BY Debarati Gupta
Art & Entertainment Lights, Camera, Action: In conversation with Hetal Dedhia, India’s first female gaffer BY Apeksha Priyadarshini
Art & Entertainment Not Your Goddess, Not Your Victim: The Feminist Lens of Regional Cinema BY Shreya Banerjee
Art & Entertainment Modhura Palit On Breaking Cinematography’s Glass Ceiling | Women's Day Special BY Apeksha Priyadarshini
Art & Entertainment Mithya Review: Sumanth Bhat’s debut looks through a child’s scars, fluidly shifting between immersion and distance BY Debanjan Dhar
Art & Entertainment Sthal Review: An acutely observed takedown of Indian match-making BY Debanjan Dhar
Art & Entertainment Anora Review: Sean Baker’s Oscar-sweeping anti-fairytale is both dazzling and depthless BY Debanjan Dhar
Art & Entertainment Nickel Boys Review: RaMell Ross’ visceral racist reform school-set film is one of the year’s staggering achievements BY Debanjan Dhar
Art & Entertainment Superboys of Malegaon Review: Adarsh Gourav and Shashank Arora beguile and devastate in warm, disarming drama BY Debanjan Dhar
Art & Entertainment A Complete Unknown Review: Timothée Chalamet brings headily impassioned and elusive charge to Bob Dylan biopic BY Debanjan Dhar
Art & Entertainment The Brutalist Review: Adrien Brody Dazzles In Soaring, Incongruous Post-War Parable BY Debanjan Dhar
Art & Entertainment No Other Land Confronts The Palestine Question With Absolute, Unflinching Rigor BY Debanjan Dhar
Art & Entertainment “I wanted to give something back to my parents” | Interview with the makers of ‘Baksho Bondi’ BY Tatsam Mukherjee
