Art & Entertainment “I wanted to give something back to my parents” | Interview with the makers of ‘Baksho Bondi’ BY Tatsam Mukherjee
Art & Entertainment Baksho Bondi (ShadowBox) Review: Tillotama Shome anchors the drama with fine-steel spirit and immense soul BY Debanjan Dhar
Art & Entertainment Vaghachipani (Tiger’s Pond) Review: Natesh Hegde’s transfixing, tightly composed drama is driven by consequence and cover-ups BY Debanjan Dhar
Art & Entertainment ‘I didn’t want the easy way out while making the sequel’| Interview with Rima Das on Village Rockstars 2 BY Debanjan Dhar
Art & Entertainment The Fairy Tale Ends And Life Begins | Love On The Big Screen BY Apeksha Priyadarshini
Art & Entertainment ‘Space dictates the drama, not the characters’| Interview With Natesh Hegde on Vaghachipani (Tiger's Pond) BY Debanjan Dhar
Art & Entertainment “Every person needs to find their own way to resist” | Interview with filmmakers of 'Khartoum' BY Tatsam Mukherjee
Art & Entertainment Hal & Harper Review: Lili Reinhart anchors bittersweet, sweeping family-snapshot BY Debanjan Dhar
Art & Entertainment Paatal Lok, Severance And The Slow Burn Keeping Prestige TV Alive BY Debiparna Chakraborty
Art & Entertainment Bokshi Review: Ambitious, expansive eco-horror mounted with energetic vision BY Debanjan Dhar
Art & Entertainment Rohan Parashuram Kanawade on 'Sabar Bonda': “Observing life helps me craft my language” BY Tatsam Mukherjee
Art & Entertainment Sorry, Baby Review: A mordant, fresh rewrite of trauma narratives BY Debanjan Dhar
Art & Entertainment Train Dreams Review: Joel Edgerton delivers career-best turn in a miracle of a film BY Debanjan Dhar
Art & Entertainment Non-Sense Making: Why Should Gen Z And Gen Alpha Watch The Cinema Of David Lynch? BY Srishti Walia
Art & Entertainment Sauna Review: Mathias Broe’s Scorching, Searching Debut Holds Nothing Back BY Debanjan Dhar
Art & Entertainment Twinless Review: Dylan O’Brien Enthralls In This Shifty Instant Classic Circling A Twisted Friendship BY Debanjan Dhar
Art & Entertainment Chloé Robichaud’s Two Women Steers Erotic Rediscovery With Comic Feistiness BY Debanjan Dhar
Art & Entertainment Turning to Page 3: Madhur Bhandarkar and the Media Moment of ‘Glamour’ BY Piyush Chhabra
Art & Entertainment Dancing Fans: The Choreography of Kaho Naa…Pyaar Hai and its Footprints BY Rini Dasgupta
Art & Entertainment Emergency Review: Kangana Ranaut Turns Indira Gandhi Biopic Into Farce BY Debanjan Dhar
Art & Entertainment 'I Feel Compelled To Reassemble Forbidden And Forgotten Images In My Films' | Iranian Filmmaker Nahid Hassanzadeh BY Abhimanyu Bandyopadhyay
Art & Entertainment Bollywood Won’t Find An Intervention On The Outside, It Needs To Look Within BY Tatsam Mukherjee
Art & Entertainment Indira Dhar’s Putul is the first Bengali film to contend for the Best Picture Oscar BY Debanjan Dhar
Art & Entertainment Women of Substance: The Actresses Who Won Hearts at the Golden Globes Awards BY Apeksha Priyadarshini
