Mohammad Usman, 60, sits on the floor near a wooden frame which holds the cloth that he is crafting so delicately. He is embroidering a cover for the Jewish Bible.
“I have been doing this for 50 years,” he says, taking off the rubber band-aids from his fingers, unveiling the punctures left by countless needles he has worked with in these years.
Sitting in one posture with his eyes fixed on the design, he works for 12 hours a day and struggles to make Rs 250. The piece he is working on will be exported to Israel soon.
“I gave my whole life to this craft, but it gave me nothing,” Usman laments.

The craft of zari-zardozi is an artform that involves embroidering brocade, silk, or velvet with golden and silver threads, often along with beads and sequins. A historic artform tracing its descent from the Mughal era, zari-zardozi has for long served as a livelihood to a majority of the Muslim population in the city of Bareilly in Uttar Pradesh. However, for the past few years, this shimmery domestic industry has been in the dark, having left in gloom thousands of workers in the city.
Usman's co-worker Afzal Hussain displays another beautiful artistic creation.
“This one is a neck-collar for the dress of the Jewish pastor,” Afzal explains, placing the piece around his neck in an effort to imitate the pastor. “Such is our condition that nobody wishes to marry off their daughter to a zari karigar,” says the young man when asked about work.

























