What is all this controversy about?
Have any benefits trickled down to composers since the copyright amendment?
What have been the most visible benefits?
What are the main problem areas?
Is the IPRS as good a watchdog as its other international affiliates?
What are your thrust areas?
Does the IPRS plan to fight the rampant plagiarism in music industry?
What became of the proposals you presented to the CMDA?
What has happened to your ambitious plans for a serial on Tansen?
How do you intend to sustain your fight to keep our music culture alive?
