Saiyaara is a ‘blog’ version of a film – one that impresses its readers by being relatable, easy to consume and basic coherence.
Tatsam Mukherjee
About The Author
Tatsam Mukherjee has been working as a film critic, culture reporter since 2016. He is currently based in Bangalore.
About The Author
Tatsam Mukherjee has been working as a film critic, culture reporter since 2016. He is currently based in Bangalore.
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The Atypical Protagonist is an interview series by Outlook India exploring the evolution of the protagonist in the Hindi mainstream over the last decade, where actors have been able to carry a project without necessarily bowing down to the homogeneous notions of a ‘lead character’.
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If there ever was a memo going around for tentpole Hindi films, it’s never been clearer than this. Historicals/mythology, patriotism and hypermasculinity seem to be the flavours of a nation.
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American actors Mark Bennington and Edward Sonnenblick recount their Bollywood experience in a recent flurry of roles that sees them as British colonisers, CIA operatives, Russian diplomats and the foreigner son-in-law.
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Despite the many examples before Aamir Khan, his gaze towards differently-abled actors in his latest film is myopic, disingenuous and borderline utilitarian.
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Stolen director Karan Tejpal, producer Gaurav Dhingra and actors Abhishek Banerjee and Shubham Vardhan speak about the film, the state of the nation, and why artists can’t carry the burden of fixing society.
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Unlike the Australian cricket set-up, where even the “legends” are politely nudged towards the door, there’s little transparency in the Indian ecosystem which makes matters much more prone to speculation
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The Mohak Mangal vs ANI legal dispute could set the precedent for fair dealing amongst content creators in India, if it reaches its intended conclusion.
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As the 78th edition of the festival ended last week, here is a list of ten films that spoke to us, which have emerged out of Cannes.
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Take it easy, Urvashi.
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