I am unabashedly guilty of the first and have to confess that Anik Dutta’s Aparajito—about the making of Pather Panchali, a tribute to Ray in his centennial year—was steeped in nostalgia for me. I’m thus incapable of writing a detached review.
The patient, brilliantly orchestrated tempo of Sardar Udham, with the Jallianwala Bagh massacre at its emotional centre, is an experience bound to be etched on the viewer’s mind