Animikh is a photographer and visual artist who currently works with Outlook India as Photo researcher and archivist
During COVID-19, while the economically privileged students from urban and semi-urban areas adapted to an online system of education, it was soon evident that the country was not equipped to take up such a challenge, even after the government’s chest thumping of 'Digital India'.
Ruchi Bakshi Sharma and Sanjeev Sharma turn the material world on its head in their show 'Three Times as Dream'
'Framing Portraits, Binding Albums' highlights the startling absence of family photographs in academic discourse in India and underlines the importance of deconstructing them as artifacts of social studies
Andretta, a quiet village in Himachal, has been a hub for artists and potters for decades. Through photos, this story brings out its artistic heritage and an exhibition celebrating its craft
The first Bengal Biennale sparks a wide range of conversations
It is befitting that the Bengal Biennale, taking place for the first time―which had its inauguration and the first phase in Shantiniketan―would follow the same spirit of providing a platform for young artists to showcase their vision and collaborating with veterans of the Indian art world.
The exhibition of M.F Hussain's art is on at the DAG from October 26, 2024 to December 14, 2024.
Chhau is a major folk dance form of eastern India in which performers wear traditional masks to enact the roles of characters from myth and folklore. The dance involves acrobatics and dynamic athletic movements.
In Mandore, a desert town, the loss of a son-in-law has survived all jubilation over the narrative of good over evil. The town still mourns the killing of Raavan.
DAG’s exhibition 'History in the Making' creates a timeline of India’s colonisation and reveals the colonial gaze against the backdrop of the nationalistic.
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