In ‘Made in India: The Story of Desh Bandhu Gupta, Lupin and Indian Pharma’ Manish Sabharwal and Sundeep Khanna provide readers more than a mere corporate hagiography.
Delhi’s message is that AI governance must not become an exclusive club of the already powerful.
To ask whether Indians read for pleasure is to impose a narrow definition of pleasure. India’s literature festivals are not symptoms of a culture estranged from books. Literature festivals in India emerge organically. They are not substitutes for reading. They are extensions of it.
Educated in Calcutta and Delhi, Béteille spent much of his academic life at the Delhi School of Economics.
In the quiet corridors of corporate India, the most powerful stories aren’t in the boardrooms—they’re hidden in sketchbooks, unfinished poems, and melodies waiting to return.
An Evening Written in Smoke and Dust.
In the end, exit polls are not the problem; our faith in them is. They are snapshots, not verdicts, approximations in a land that defies neat equations. Their value lies in provoking debate, not in deciding destiny.
In Bihar’s predominantly Hindu demography, Seemanchal stands apart. Nearly half of its population, in Kishanganj, as much as 68 per cent, is Muslim.
Pandey’s death leaves a void, not just in Indian advertising, but in the wider cultural imagination. He was, in every sense, a craftsman of narratives, a teacher, a guide, and a friend.
Nobel Laureate László Krasznahorkai’s fiction carries the texture of decay, the slow crumble of certainty, the dust of exhausted faith.
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