Annual gatherings at sites such as Chaityabhoomi, Dikshabhoomi, and Bhima Koregaon serve as spaces where Dalit history is remembered, reinterpreted, and circulated outside the dominant public sphere. Rege’s analysis shows that Ambedkarite calendars, songs, pamphlets, and performances are not symbolic excesses but modes of knowledge production from below. Through music, oral histories, and popular literature, Dalit publics contest dominant narratives of nationalism, democracy. Thus, Dalit counter-public reform articulates alternative visions grounded in equality and dignity. These practices generate what Rege calls “ dalit heterotopias”—real, inhabitable spaces that mediate between utopian aspirations and lived social realities. Such cultural production is simultaneously rational, reflexive, and political, challenging the savarna tendency to dismiss subaltern affect as irrational or excessive.