In patriarchal art histories, women are often depicted by men as objects of beauty, desire, or allegory. But here, the feminine divine is depicted as commanding, terrifying, inexhaustible. The gaze is not owned by the painter; it is owned by the goddess, who looks back with unshaken force. Thus, these paintings embody transgression, rupture, and renewal. Transgression, because men step into a female domain. Rupture, because they alter the visual grammar of Mithila painting with tantric symbolism, symmetry, and contemporary themes. Renewal, because through devotion, they reaffirm the power of Shakti not diminished by male authorship but magnified by surrender to her sovereignty.