A photo-essay tracing the forgotten migration of women indentured labourers from north India to Suriname through colonial contracts and family memory.
Centred on Dhannu Munia, a Bhojpuri woman migrant, the work explores gender, displacement, and erased histories under colonial labour systems.
The project confronts the absence of memory in present-day villages while reclaiming ancestry through photographs, archives, and oral testimony.





