Nothing specific. It could be an article, a story or just two people conversing. Tasveer came from looking at a photograph and thinking what if someone had the power to see what the person was at that precise moment.
How easy is it elaborating on the idea?
It depends on the state of mind. Sometimes an idea goes nowhere. The idea at the point of writing is erratic but once the writing begins, it requires tremendous focus.
From the writing to execution—which part do you enjoy the most?
The directing. It’s dynamic, a very active process that fires off every fibre of your being.
How did you zero in on Sharmila Tagore?
She’s someone I grew up watching.
And Akshay Kumar, another unexpected actor for your films?
That’s the problem, I work hard at not getting stereotyped. My other stories require different kinds of actors. This one needed an action hero.
From a Naseer to an Akshay—what’s the difference?
Each actor brings with him certain qualities. It takes a little while to gauge him/her and then you move forward. So there isn’t one perfect actor who can do any kind of role although the audience naively believes it. It’s as enjoyable working with Naseer as with Akshay.
Did Akshay deliver?
The audience will judge. I got what I wanted.
Has Ayesha Takia become a favourite?
I enjoy working with her. After Dor I said if the opportunity arose, I’d work with her again.
There was some trouble with the schedule.
In Canada the local line producer screwed up the location etc and we ended up losing a lot of Akshay’s dates. That was unfortunate.
Once upon a time you struggled to get a financier for your films. Is it better now?
It still depends on the story you want to tell but it’s easier than it was.
