Your film is a unique take on conservation with a parrot as the protagonist.
My film is not to preach conservation. I wanted to tell the story of Sirocco and through it help everyone realise how species are endangered.
How did you come across the kakapo (night parrot, in the Maori language)?
I came across the kakapo during research for my graduation project. And when I got to know that one of them, Sirocco, is coming to a city nearby, I grabbed the opportunity.
How did you script and shoot the film?
Animals don't read scripts and I'm left shooting with whatever they have to offer, you know! However, while researching, I did not realise when I had penned down the script for the film, a rags-to-riches tale.
You are the first and youngest Indian woman to win a Green Oscar.
It seems very unreal. The feeling has not yet sunk in. But, it is very humbling.
What were the difficulties you faced while working in the wild?
I don’t remember a moment in the jungles feeling bored. Passion makes work enjoyable.
Your film is a one-woman production.
I had no difficulties there. I tend to think like an editor too in the field and that helps. Though I am very attached to my shots, I edit ruthlessly and I do take feedback from outside.
Wildlife docus in India are not heard of...
I enjoy watching them and I don’t think I would be able to make documentaries of any other kind.
Your favourite wildlife documentaries?
Green, all of David Attenborough's works, Jungle Book. I aspired to be Mowgli as a kid.
Other passions?
Travelling and reading.
What are your plans for the future?
I am working on two shows which are about the wildlife in our country.
