The film shows off plenty of intelligence and efficiency, but not enough depth of character, and the main players seem to be left to be fleshed out by the respective actors alone.
The screenplay rambles in many directions for long before one realises that the overall theme and premise is all about lack of passion on the one hand and sexual desire on the other.
The documentary feels nothing short of a musical, as it captures the essence of Pink and her family’s private moments on tour buses, hotel rooms to family outings between concerts.
Soon after the digital release, Kajol and Renuka Shahane talk candidly to Eshita Bhargava about the movie, the relationship Kajol shares with her mother, what makes ‘Tribhanga’ different, Renuka’s views on feminism, and much more.
Pankaj Tripathi talks candidly to Eshita Bhargava about playing the protagonist for the first time in 'Kaagaz', his journey, struggles, first day in Mumbai, and much more.
Right from the onset till the end, Vijay Jayapal’s 'Nirvana Inn' manages to maintain the element of intrigue, mystery, and sinister so uniformly that one would almost be compelled to watch it till the end.
The Janhvi Kapoor-starrer 'Gunjan Saxena' falls short of expectations, largely because of Bollywood’s all-too-familiar proclivity to use the ‘cinematic licence’ to make a mess of an inspiring real life story.
What the film captures is the way in which caste, so deeply rooted as an organising principle in Indian society, undergoes some transformations after Independence but remains just as enduring and fundamental a law, a social logic by which to allocate reward and respect.
