Tell us about The Path of Zarathustra.
As a feature film, it poses the question, does every search for god end in love? The film is universal and yet is specific in its revelation of the Parsi community and the Zoroastrian faith.
What led you to explore the Parsi community and their faith?
As I am a Parsi, this identity was an integral part of my artistic exploration.
The script is written by Farrukh Dhondy. How did the collaboration come about?
Being a Parsi, he was always interested. Initially hesitant, he has added his unique dynamism to the script.
Why did you decide to play the protagonist?
I was seeking expression as an artist. Playing the protagonist, I just added to the challenge.
How was the experience of working with Tom Alter?
Tom Alter is the magic touch. There was a deep desire that helped me connect to him.
Tell us about you playing producer, director and actor.
It was a challenge and very satisfying. Producing it with my dad Sorab Irani helped. While directing, I also went back and forth to the camera.
This is not the regular masala movie. What were the challenges?
Yes, but it’s not a regular art film, a feature film or a documentary. So funding, creating and releasing it were big challenges.
You are an artist, educationist and entrepreneur. How do you juggle all of these?
For me at the core of all the roles I play is being ‘an artist’, so they they nurture each other.
What do you think of today's Bollywood?
Like any industry it has its own rules and will function in a particular way, sometimes compromising truth for formula.
The next project?
I have a desire to visit Iran and want to collaborate on a project with the New Wave Iranian filmmakers.
