Author Amit Chaudhuri writes to West Bengal chief minister for saving Calcutta's cultural ethos.
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A few had stopped to look; others/ walked on, some / quickening their pace, many / unmindful of what had caughtthe attention of the few...
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I did my best to escape music as a child, running very fast whenever my mother tried to teach me the Tagore songs she sang so beautifully, but my genes ensured music would eventually return to me, or I to it...
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Although Arvind Krishna Mehrotra did not win Oxford Professor of Poetry elections, the large mandate he received 'shows that a real departure from well-worn insularity and familiarity has been achieved'.
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Amit Chaudhuri and Peter D McDonald explain why they took the initiative in nominating Arvind Krishna Mehrotra for the position of Oxford's Professorship of Poetry, the most high-profile in British poetry after the laureateship
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The pre-eminent and best loved Bengali poet after Tagore was an elusive, deeply private writer, reluctant to make himself better known, reluctant, in some crucial instances, to publish his own work...
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There's an intriguing juxtaposition between the violence of the art-work and the violence of nationalism. Which perhaps explains why the educated middle class is essentially in agreement with the VHP that art shouldn't "cause offence".
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There is another lineage and avenue in Indian writing in English than the one Midnight's Children opened up, along with an obsession with the monumental, and its source lies in Jejuri.
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The idea of an unbroken Indian tradition is probably an Orientalist invention. The 'Orient' itself comes into being in the early period of colonialism, and one of the earliest writers to perceive its great cultural, emotional, philosophical, and pol
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The problem of Indian modernity and humanism needs to be examined afresh -- if Indian modernity is a way of viewing the world, we haven't scrutinised, enough, the gaze in the mirror.
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