Another strong visual reference for Sachin comes from the film The Batman, shot by Greig Fraser. He is particularly moved by how the film embraces darkness not as a limitation, but as a cinematic language. The low-lit, shadow-heavy frames do more than create mood—they demonstrate how light behaves within darkness, revealing texture, depth, and emotion through silhouettes, practical lights, and carefully crafted negative space. For Sachin, this approach is a powerful reminder that compelling cinematography is not always about what is clearly visible, but about what is suggested, concealed, and gradually discovered within the shadows. It is a philosophy he carries into his own visual thinking, where restraint often speaks louder than excess.