It pitches the biography of Sarat Chandra Das as a form of bricolage in two distinct ways. Firstly, it attempts to weave together, from a diverse array of sources—archival, textual, and visual—the story of Das’s life, his two expeditions to Tibet, his chequered career, his scholarship and writing, and his role and contribution to a newly emerging field of Tibet studies. Secondly, and more importantly, it frames the life-writing of Das as a bricolage with heterogeneous implications—as a text scrutinizing Das’s role as Bengal’s first Tibetologist, as a thesis on discourse production on Tibet through the late nineteenth and early twentieth centuries from the Bengal Presidency, as a study of the politics, ethics, and contours of colonial gate keeping and Buddhist authorship, as an evaluation of native voices and agencies, and as a means for the formulation of a new historical imagination of Bengal’s past, envisaging Tibet as a sacred site for its recovery.