One of the most memorable images in Hindi cinema, which has represented the working class and farmers, has been the shot of a plough and a rifle against a blue sky from Upkar (1967)—symbolic of Lal Bahadur Shastri’s slogan ‘Jai Jawan Jai Kisan’. The slogan is an ode to the love, unimaginable efforts, undying work and commitment of the farmers in growing the grain and the sacrifices of soldiers in keeping the borders safe. It’s an idiom used to measure levels of patriotism in common conversation till date (politicised by the current government to hide its inadequacies and mute those questioning it). Upkar was made post the 1965 war and charted the hero’s journey of being a farmer and a soldier and his sacrifices and love for the nation. It also threw light on the growing corruption, and consequently, the disillusionment with oppressive systems—systems born out of class differences, black market creations and ambitions. The rise of capitalistic desires was prevalent and identified as an enemy. The other enemies were personal ambitions—as opposed to collective growth—and temptations with ‘western’, rich lifestyles.