Cinema Century
100 years of Cinema: a timeline of some landmarks
100 years of Cinema: a timeline of some landmarks
Vamps become redundant as current filmmakers prefer non-Tamil, fair skinned actresses to play opposite Tamil heroes
The directorial duo of <i>Shor in the City</i> and <i>99</I> list the film-makers who influenced them
They are themselves strong independent women; these roles portray them holding their own through a host of difficult situations.
For song-writing, the ’50s and ’60s were the best era. There were Sahir, Kaifi and Shailendra...
Mrinal Sen, Bejoy Nambiar, Namrata Rao and Om Puri on their favourites
Vamps become redundant as current filmmakers prefer non-Tamil, fair skinned actresses to play opposite Tamil heroes
The directorial duo of <i>Shor in the City</i> and <i>99</I> list the film-makers who influenced them
There are too many that I wish I could list and write about!
They are themselves strong independent women; these roles portray them holding their own through a host of difficult situations.
It would perhaps be easier to narrow down a list from five of my own roles
For song-writing, the ’50s and ’60s were the best era. There were Sahir, Kaifi and Shailendra...
The cinematographers I admire are those who create, not imitate.
Posters of film classics reimagined for Outlook readers
So you think you know everything there is to know about Indian movies and stars?
Long before the home theatre and the multiplex, it was <i>dekho, dekho, dekho, bioscope dekho</i>.... Cinema-watching has come a long way since. Or has it?
Exhilaration to heartbreak, the universe inhabits Bollywood
Celebrating the arc-lit genius of a subcontinental art
They say people are defined by their earliest memories. One of mine is watching my first film...
In the south, more than reel, films morph into rituals of the culture
Stunning photographs of the earliest of our screen goddesses, Devika Rani
Bengali cinema’s long high, lows, and new hopes
Ardeshir’s ardent dream, or the story of India’s first talkie
The Shakespearean in Bollywood’s dreamy, bittersweet fantasies
Kamal Amrohi’s Mahal is our first reincarnation thriller
Hindi film’s parallel reality is not a utopia, but an atopia. Where’s that, you ask? That’s precisely the point.
Wildly original, far more entertaining than what passes off as A
Lights, camera, action...a graphic novella
It’s difficult being a superstar in the South. Some manage it well.
The significant other of the Indian cinema, seductress, moll...
Ignore, and be ignorant. Cinema from the Northeast has verve.
The lustrous versatility of film music, and change wrought by time
Marathi cinema’s recent resurgence harks back to its pioneers
As a cultural medium, Malayalam cinema has slipped
Cinema’s aim must be to create questioning minds. Are we there yet?