What does buying sex do to men? And what about women’s fantasies of freedom? Nishtha Gautam traces the contours of ‘prostitution by choice’
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COVER STORY
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Loneliness despite high-speed ‘hook ups’. Is love’s labour lost in the digital age, asks Shyam Bhat
Without rape, Indian machismo is incomplete. It seeks security and upholds honour through violence on the other, argues Shiv Visvanathan.
When Harish Iyer thought of invading the heteronormative domain of marriage, little did he know it could involve being panned for casteism
Apsara Reddy thinks there’s no real place in the heart of a man for a transgender woman
Set in a brothel during Partition, <em>Rajkahini</em> shocked audiences by its sexually charged themes. Sreemoyee Piu Kundu speaks with director Srijit Mukherji.
On a detour from the straight and narrow, Stuti Agarwal enters a realm of endless possibilities opened up by asking one question: can we love more than one person at a time?
Bollywood affairs have always caught the public’s imagination. Now, they have also become a marketable commodity, says Sathya Saran
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Loneliness despite high-speed ‘hook ups’. Is love’s labour lost in the digital age, asks Shyam Bhat
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Sreemoyee Piu Kundu recounts a wife’s tale of matrimonial horror
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Without rape, Indian machismo is incomplete. It seeks security and upholds honour through violence on the other, argues Shiv Visvanathan.
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If society is the sum of its contraries, can BDSM coexist with khap?
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When Harish Iyer thought of invading the heteronormative domain of marriage, little did he know it could involve being panned for casteism
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Apsara Reddy thinks there’s no real place in the heart of a man for a transgender woman
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Set in a brothel during Partition, <em>Rajkahini</em> shocked audiences by its sexually charged themes. Sreemoyee Piu Kundu speaks with director Srijit Mukherji.
-
On a detour from the straight and narrow, Stuti Agarwal enters a realm of endless possibilities opened up by asking one question: can we love more than one person at a time?
-
Bollywood affairs have always caught the public’s imagination. Now, they have also become a marketable commodity, says Sathya Saran
OTHER STORIES
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Did classical Indian literature focus more on the absentee lover than on the joys of union, probes Arshia Sattar