The third film in the series, Griha Pravesh, makes still more explicit the entanglement of marriage and home, from its title (referring to the rituals of taking occupancy of a new home) to its central couple's plan to find and buy the perfect home. This film's Amar and Mansi (Sanjeev Kumar and Sharmila Tagore) live for years in what seems to be a temporary address. Walls peel, furniture goes shabby, decoration remains sparse at best, while the couple fantasizes about their future home, always just around the corner. But that dream remains stalled, in perpetual limbo for one reason or another; there isn't enough money for a new flat, or they cannot find a suitable one. The film layers this metaphor thickly. Once Amar and Mansi's broker takes the couple to see an unfinished property, a flat in a high rise that does not even have exterior walls. The wind whips around them, underscoring the ephemerality of their dream-home, though the couple seems oblivious to the symbolism.