The disquiet in film festival circuits against the Gazan genocide has been rising steadily since early this year, demonstrating how filmmakers, critics and audiences alike see cinema as a means of extending solidarity to the Palestinians. In February, the Berlin Film Festival had Syrian-Palestinian director Ameer Fakher Eldin premiere his displacement-centered film, Yunan. It was the only Arab film in competition for the Golden Bear. Elsewhere in another strand at Berlinale, Palestinian filmmaker Areeb Zuaiter screened Yalla Parkour, a documentary selected in Panorama. At Cannes, Sepideh Farsi’s Put Your Soul On Your Hand And Walk—a documentary on Gaza photojournalist Fatima Hassouna who was killed along with several family members in an Israeli air strike—got a US distributor on board even before the festival concluded. Its sales have expanded to Japan, Australia, New Zealand and Canada. Palestinian director Tawfeek Barhom won the short film Palme d’Or for I’m Glad You’re Dead Now, which spins around two brothers confronted with childhood secrets. At Locarno, Kamal Aljafari’s documentary With Hasan In Gaza, a visual trip through Gaza in 2001, vied for the Golden Leopard. It stitches in rediscovered old video footage. The film opened the International Competition at the festival. Aljafari described it as “an homage to Gaza and its people, to all that was erased and that came back to me in this urgent moment of Palestinian existence, or non-existence. It is a film about the catastrophe, and the poetry that resists.”