Butin most aspects, CTHD follows the grand Hindi film tradition. Forinstance, cheerful disdain for plot logic. Like the usual Hindi film, CTHDabounds with scenes where characters appear at the right place at the right timewhen they had no way of knowing the address. In a flashback, the girl Jen chasesa desert bandit and has a long fight with him, which the bandit wins. Yet Jenhas been learning the mysterious Wu Dan martial arts from Jade Fox since she was10. So how come she, well-versed (even if not as adept as she is now) in Wu Dan,gets beaten up by a mere bandit? Or does her Wu Dan work only when she has wallsto jump over and bamboo forests to float in? Then again, when Chow Yun Fat getsthe poison dart in his neck, Jen knows the antidote and has to get theingredients and prepare it as fast as possible. But instead of flying, walkingon water and jumping over four-story houses (all of which she can do at will),she runs like a mere mortal and comes back riding a horse. All Hindi filmbuffs will instantly recognise this sort of convenient amnesia that leads todesired emotional climaxes.