Home »  Magazine »  Arts & Entertainment  » Showtime  »  This Arcadian Adventure Isn’t A Literary Lapse

This Arcadian Adventure Isn’t A Literary Lapse

The theatrical presentation of the writings of Stephen Leacock, the British-born, Canadian political scientist and humourist is entertaining and engaging.

This Arcadian Adventure Isn’t A Literary Lapse
This Arcadian Adventure Isn’t A Literary Lapse

Riding Madly Off In All Directions
Naseeruddin Shah, Ratna Pathak Shah, Imaad, Heeba and Vivaan.
Dir by Naseeruddin Shah.
Rating: ***

Riding Madly Off In All Directions, the opening play at the Prithvi Festival does what the title suggests and some more. With Naseeruddin Shah, Ratna, Vivaan, Imaad, and Heeba in performance, the theatrical presentation of the writings of Stephen Leacock, the British-born, Canadian political scientist and humourist (1869-1944)—who was requested by none other than Charlie Chaplin to write a script—is entertaining and engaging.

“Advertising may be described as the science of arresting the human intelligence long enough to get money from it,” comes up on the screen as an example of Leacock’s wit. It’s difficult to depict humour not written for stage per se, and Leacock never wrote a play, but when the writing puts its finger on universal eccentricities and fallacies such as fumbling in banks, fear of arithmetic, impact of violent nursery rhymes and children’s literature, it’s hard not to react.

It starts with a disclaimer about Leacock’s unpalatable views about women and race and the value of his other writings. Ratna and Heeba discuss types of humour (“humour as I see it is humour without harm”) and Imaad and Vivaan demonstrate some. Along with projection screens that lists different pieces of Leacock, the family is on its way to capture the essence of those writings. They are all dressed in 19th century costumes and the minimal set design lends easily to changes in scenes, though it takes some getting-used-to to the structure.

Of the different episodes, if we can call it that, the ones that stand out are Heeba’s depiction of a common woman trying to deposit $56 in a bank; Vivaan’s enacting of a conjurer whose tricks are spoilt by a pesky spectator and the longish one on arithmetic by Ratna and shadows of the letters A, B and C. For those acquainted with Marathi literature, some of these might remind you of writings of P.L. Deshpande, only accentuating the point that humour in ordinary lives is perhaps truly universal.

While the first half focuses on light-hearted observations about human life, the second half has Naseer depicting a 3000 AD world that Leacock envisaged. The solo act, peppered with funny moments, turns into a disturbing vision of a world where man has conquered hunger, weather, work and even nature itself. Needless to say, Naseer pulls off this funny-dark act dressed in an all-grey costume.

Naseeruddin Shah has staged literature before, like short stories of Saadat Hasan Manto, Ismat Chugtai and writings of Krishan Chander, apart from a play about life of Albert Einstein. In that sense, he is best equipped to stage the works of a prominent writer not in the public domain anymore. There are some bits about Leacock too, but the focus is on his writing—“essays and ruminations”.

It’s a fitting tribute to the man who gave us these wonderful lines, which are now part of our expression: “He flung himself from the room, flung himself upon his horse and rode madly off in all directions”.

Subscribe to Outlook’s Newsletter

Next Story : Deep Throat
Download the Outlook ​Magazines App. Six magazines, wherever you go! Play Store and App Store
Here in Mumbai, when Faezeh Jalali presents Shikhandi: The story of In-Betweens, the story becomes a brisk, pinching satire about punishing times, then and now.
MAGAZINE April 19, 2018
Movie Review
This biopic of V.P. Sathyan, Kerala’s and India’s football team captain in the ’90s, injects a dose of adrenaline into the veins of a resurgent Kerala
MAGAZINE February 22, 2018
The musical moves from one milestone to the other interspersed with songs and commentary by Boman Irani as the voice of the British Raj.
MAGAZINE April 07, 2017
The story touches upon glamour and the cost it extracts. It's about crime, the afterlife and love...
MAGAZINE March 02, 2017
Watching it as just a movie divorced from the reality around us, Raees offers as many moments of entertainment as tedium in the second half...
MAGAZINE January 25, 2017
Online Casino Betway Banner