Set in Mexico, the novel begins in Boston with American academic Eric. Bored with his thesis on immigration, he follows his girlfriend to Mexico, hoping, as he tells her, for a "Eureka moment". This comes during a lecture by Dona Vera on the Huichol Indians, when certain familiar-sounding words bring back memories of his Cornish grandfather who had worked in the silver mines in Mexico. Eric then sets about "following the trail of his own history", first in Dona Vera’s ranch, then in the ghost mining town where the Cornish miners had lived—in the course of which we get Dona Vera’s story and a history of the Cornish miners. The novel ends with Eric’s vision of his dead grandmother on the day of the festival of the dead.
This final note of magic is somehow unconvincing, but the deft linking of different themes is interesting and the austere elegance of Desai’s language makes reading her, as always, a pleasure. But Eric seems too inadequate a character to convey an understanding of how journeys change people’s lives and the world; this, more than looking for one’s roots, seems to be the theme. Eric remains a tourist; the "urgency and terror of knowing", which is said to overcome him, does not come across to the reader.
Nevertheless, the novel is important, because Desai has had the courage to move away from what could be considered her stock-in-trade—India. Too many writers living abroad continue to occupy this imaginary homeland long after it’s ceased to feed their imaginations. One hopes her next novel will recapture the near-perfection of Clear Light of Day—wherever she chooses to locate it.