The Magazine
?Defining it, the origins, signposts, citations...?
?Defining it, the origins, signposts, citations...?
You will, woncha? By mid-October? While the goddess is straw still?.... Oh, but to count the bellows of the beast!
News rides a cycle and is scooped up at a stop called <i>Outlook</i>. It’s all in a week’s work, explains Sunit Arora.
Every magazine ecosystem needs its visionaries. These luminaries helped evolve the modern Indian journal.
The magazine queen Tina Brown in conversation with Tunku Varadarajan.
A freewheeling roundtable discussion in Mumbai with some eminent faces of the magazine world.
A look at the magazine revolution that swept through Bengal and beyond and shaped the political, social and aesthetic ethos of India
In 20 sentences, one for each year, by Manisha Saroop, who’s seen it all since 1995
Magazines are all about details and distillation; about making the important interesting. Here, then, are 20 questions from this issue, in 20 words each.
What’s the cover story? That’s the most frequently heardquestion at magazine editorial meetings, and it says a lot.
You will, woncha? By mid-October? While the goddess is straw still?.... Oh, but to count the bellows of the beast!
News rides a cycle and is scooped up at a stop called <i>Outlook</i>. It’s all in a week’s work, explains Sunit Arora.
Every magazine ecosystem needs its visionaries. These luminaries helped evolve the modern Indian journal.
The magazine queen Tina Brown in conversation with Tunku Varadarajan.
A freewheeling roundtable discussion in Mumbai with some eminent faces of the magazine world.
A look at the magazine revolution that swept through Bengal and beyond and shaped the political, social and aesthetic ethos of India
In 20 sentences, one for each year, by Manisha Saroop, who’s seen it all since 1995
Magazines are all about details and distillation; about making the important interesting. Here, then, are 20 questions from this issue, in 20 words each.
What’s the cover story? That’s the most frequently heardquestion at magazine editorial meetings, and it says a lot.
To use cricketing metaphor, our first fifer. On a dead wicket.
The biggest events in each of the last 20 years which shook our lives or made us wonder about our existence and how the magazines in India and the world presented them
Aveek Sarkar’s shrewd dispassion, and the mystery about <i>Sunday</i>
Anand P. Raman, editor-at-large at the Harvard Business Review Group, on the evolution of business magazine journalism in India.
In the midst of all the razzmatazz, they are reading their favourite mags
The magazine is what led the way. Even newspapers learned from them. And those who like to read magazines will keep them alive.
Vinod Mehta’s wife recounts how the magazine life defined everything and how a deep conviction lay at the core of this
Typewriter guerrillas, you could say. Our method to fathom madness, such as with the Bhagalpur blindings, blazed a trail in journalism.
Magazines will survive, though the stakes are higher. They will have to be an emotional, sensual, intellectual addiction that will stun readers.
Magazines can grow on you—from being part of childhood memories spent in the hills to being inside the magic factory
It wasn’t the best magazine around, but it kicked the butt of formula. And that was that <i>Weekly</i>’s secret of success.
We were looking to plug the gap for feature magazines, andprovide something for the affluent, educated urban male audience
<i>Outlook</i>wallahs recall their other-magazine moments
Was it a decade that went by? A century? Or certitude?
They exposed State failure, they touched hearts, they highlighted humankind’s failure and arrogance. One was a profile and one proved a hoax!
The times have changed drastically, and women’s magazines in India have come a long way from the days of housewifely advice.
Small in format, but brimming over with articles and photos on everything under the sun, explaining politics, films, gobar gas
How does one edit for a magazine whose articles one grew up on? A former editor speaks about working at the ‘family’ favourite.
<i>Asiaweek</i>, started by two energetic journalists, was known for its feisty reportage. Its reluctant moneybag owners later scuppered it.
Slums, <i>Slumdog Millionaire</i> and working for a magazine, all that comes together in this autobiographical piece from <i>Newsweek</i>
A hack’s progress through magazines—an assemblage of ideas, words and photos—and how they need more of them in these times
With agility and some rethinking, some magazines are surviving. Some are thriving. The magazine as a form has several issues ahead.
Old magazines may seem to be a foreign country, yet they satisfactorily explain the bewildering present
Excerpts from <i>A Hack’s Progress</i>, recounting how Knightley unwittingly ended up working both for the CIA and the KGB
An avid reader of magazines and a prolific writer for both Indian and international publications, Pankaj Mishra on the ways magazines impacted his life.
Print is tied to a ruthess market. Literary magazines, light purses notwithstanding, are thriving on the internet.
The vision of a Czech journalist went on to become the Bible of Asia, documenting political, economic eruptions with searing accuracy
Media baron Nari Hira on his stellar career and the relevance of magazines.
Running a general-education science magazine with an English Honours is the stuff of fond memories and witty self-deprecation.
<i>Vanitha</i>, 40 years and running strong, is the magazine with the biggest circulation—across all categories. Everybody reads it.
Formulaic they may be, but Telugu film magazines are big biz
In this excerpt from <i>Lucknow Boy</i>, our former editor recounts how he came to edit <i>Debonair</i> and his juiciest adventures thereafter
For many who can’t afford to buy all the books they would want to read, lending libraries are a saviour
Cusp years perhaps. Something not yet defined is upon us.
Politically, bang in the middle of the UPA years. Biased, did you say?
Bullet-riddled, grief-mad, dying and dead: Anita Pratap has seen people in all possible calamities and lived to tell the tales
Allahabad acquired its cultural iconicity in the spaces of the colonial public sphere, embodied in cafes, journals, educational institutions
How an English teacher at a Bangalore agriculturaluniversity made it to the pages of <i>The New Yorker</i>