Some readers may recall watching Kalpana Lajmi’s film Rudaali (1993) on the life of a professional mourner in Rajasthan. When someone died, these female mourners were hired to wail and beat their breast in a display of grief. The breast-beating on television and even in print during the last fortnight, over the imminent demise of the India story, reminded me of the film in which Dimple Kapadia was more eloquent in her silence than all the noise that we have been hearing from mourners of the Indian economy in 2013.