The new-age European’s training in an ancient Sanskrit theatre thriving in faraway India doesn’t seem long, yet what Britain-born Hanna Tuulikki has imbibed from Kerala’s Koodiyattam comes across as intense. A work by the young Finnish-English at the ongoing Kochi-Muziris Biennale (KMB) unveils this fascinating aspect, even though the effort is not merely to reproduce the charm of a 1500-year-old performing tradition the artist-vocalist learned under a young practitioner of Nangiarkoothu.