TPTM is a reasonably nice kiddie flick. But the best of children’s films also have a way of reaching out to the adults which this one certainly doesn’t. There’s the sullen Saif who is responsible for the death of the parents of four kids in a road accident. Rather than being sent to jail, he’s ordered to take care of the kids till they are 18. He also gets divine help from a fairy-turned-nanny Rani (looking automated) to help him build bonds with them, even as his girlfriend (Ameesha) irritates with her passion for Prada bags. I would have wanted more of the warm moments as Saif tries to reach out to the kids. In that aspect, the film could well have taken a look at the Aamir-Juhi starrer of yore, Hum Hain Rahi Pyaar Ke, similar but far more rounded in its story-telling and emotional graph. Also, a potentially interesting character like the butler gets to do just about nothing here.
I liked the fact that the film helped me teach a kid the basics of socialism and socio-economic parity (thanks to Prasoon Joshi’s lyrics in the museum song). It also helped her understand the need to be intelligent unlike "Barbie aunty" (Ameesha). One question: why is it that our children’s films have the most sensual of songs? In Mr India, it was Sridevi’s iconic "Kaate nahin kat te..."; here it’s Ameesha baring just about all in "Lazy lamhe".
High Fives
Bolltwood
1. Thoda Pyaar Thoda Magic
2. Mere Baap Pehele Aap
3. Sarkar Raj
4. De Taali
5. Mahabali Hulk (dubbed)
Hollywood
1. WALL E
2. Wanted
3. Get Smart
4. Kung Fu Panda
5. The Incredible Hulk
Music Video
1. Scenes you Know by Heart (Buffett)
2. Start the Machine (Angels and Airwaves)
3. Farewell Tour: From Melbourne (Eagles)
4. When in Rome 2007 (Genesis)
5. Live in Las Vegas: A New Day (Celine Dion)
Courtesy: Film Information
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