It’s amazing how single-actor performances can wind themselves around your mind, dragging you from the comfort of your home into the world the actor inhabits for the duration of the play.

On Oct 4, the Outreach programme will feature the very talented Naviin Gandharv on his uniquely melodious Belabahar instrument. Created by his father, Pt. Babulal Gandharv, the belabahar combines the principles of the violin, the sarangi and the singing voice.

The Sur ke Saath programmes start at 10 am and go on for an hour. Instrumentalists and singers take the stage by turn, and manage to create magic in the 20-minute slots allotted to each.

‘Aisi Raaton’ is a simple story depicting the universal plight of a young couple, stuck indoors, and perhaps a little upset with each other.

An online presentation of exquisite gem stones reveals the art that goes into making the exotic jewellery.

National Centre for Performing Arts, Mumbai is putting up online a series of the events it has held over the year.

This indigenous art form would have died if not for the efforts of a few individuals who were keen to revive and sustain it.

Through deep engagement in the moment, Art helps us to reflect upon and accept ourselves and our present situations

Despite many odds, these three artists are part of a growing number of unknown artists whose work is finding space in an unexpected, global medium...leather handbags.

The closing down of Junoon symbolises the snuffing of hope, writes Sathya Saran.

ICCR President Dr Vinay Sahasrabuddhe, also a Rajya Sabha MP, speaks to Outlook's Bhavna Vij-Aurora about how the Indian society has evolved into perhaps a perfect model of balancing individuality and socialisation.

The show, which has three segments by three photographers, will through their work depict three different periods in Goa’s history.

Rajas, nawabs, zamindars and seths came to Metcalfe residence in North Delhi, many of them from Chandni Chowk, to play Holi.

A complainant had alleged that artwork at India Art Fair was related to the ongoing protests against the Citizenship Amendment Act.

In a world caught up with showcasing skills through Instagram, art that is formless might attract several visitors at the gallery, but may not necessarily lead to commercial success it deserves.

If state-run Nehru Memorial can host launch functions of books on Jinnah and Savarkar, why can't Kalakshetra allow T.M. Krishna's work on Christians in Carnatic music to be released?

Sathya Saran draws the pictures of a packed auditorium where Amol Palekar made his return to theatre after 25 years, and an offbeat exhibition that called out to women to ‘remember their innate powers.'

The artists say if the government was interested in opening cinema halls, it could have renovated defunct cinema halls in Srinagar.

Though he has in the past used his art to create other awareness stories, it is with ‘Aftermath’ that Rohit Jain, who is a grantee of the Pulitzer Centre’s grant for Crisis Reporting, has shown that Photography can reach beyond entertainment to espouse a cause and awaken the public to social consciousness.

In Devika Rani and Bali, we have two writers looking at text differently, resulting in productions very different from each other. Both are examples of the new directions in theatre.