A complainant had alleged that artwork at India Art Fair was related to the ongoing protests against the Citizenship Amendment Act.

In a world caught up with showcasing skills through Instagram, art that is formless might attract several visitors at the gallery, but may not necessarily lead to commercial success it deserves.

If state-run Nehru Memorial can host launch functions of books on Jinnah and Savarkar, why can't Kalakshetra allow T.M. Krishna's work on Christians in Carnatic music to be released?

Sathya Saran draws the pictures of a packed auditorium where Amol Palekar made his return to theatre after 25 years, and an offbeat exhibition that called out to women to ‘remember their innate powers.'

The artists say if the government was interested in opening cinema halls, it could have renovated defunct cinema halls in Srinagar.

Though he has in the past used his art to create other awareness stories, it is with ‘Aftermath’ that Rohit Jain, who is a grantee of the Pulitzer Centre’s grant for Crisis Reporting, has shown that Photography can reach beyond entertainment to espouse a cause and awaken the public to social consciousness.

In Devika Rani and Bali, we have two writers looking at text differently, resulting in productions very different from each other. Both are examples of the new directions in theatre.

When the draft New Education Policy was uploaded on the MHRD website this May, it was exciting to see the centrality of the liberal arts in the section on higher education, writes novelist and scholar Saikat Majumdar.

Sankho Ghosh, who translated two of Girish Karnad’s famous plays briefly observes that Karnad was not only a leading playwright and actor of his time, but also undoubtedly one of the foremost leaders of Indian cultural world.

At the opening of an exhibition in the memory of artist Prabhakar Barwe on Friday evening, Palekar was repeatedly interrupted during his speech by some NGMA members.