Sample India Through the Ages, via This 92,000+ Map Archive

Sample India Through the Ages, via This 92,000+ Map Archive
Aaron Arrowsmith founded a literal dynasty of cartographers. Displayed here is part of his gigantic 1816 map of India, which covered nine sheets., Photo Credit: David Rumsey Historical Map Collection and Cartography Associates

How were we depicted in early atlases? Did colonialism affect the best of cartographers? We try and answer these questions by logging into the world's largest private map collection

Nayanika Mukherjee
August 16 , 2019
11 Min Read

For the past two weeks, I’ve been bombarded with map adverts online. Framed prints, ‘limited edition’ t-shirts showing the streets of Rome (never mind that I’ve never been), kitschy projections on mugs—who knew there was an entire cartography fandom out there?

I can’t blame the algorithm though. It’s only dutifully tracked my obsession for this fortnight—the David Rumsey Historical Map Collection.  Ever since I heard of this digitised archive of over 92,000 maps, I could focus on nothing else. Starting from the 16th century to the present, the collection (which, including offline stores, holds more than 150,000 maps) is a hefty catalogue of atlases, maritime charts, celestial maps, pocket charts, globes, vintage advertisements...I can’t even begin to cover its scope. The collection was started over 30 years ago by map aficionado David Rumsey, who currently heads Cartography Associates. 

While there’s a clear majority of European and American images, we were sure that colonial expansion meant that India would find representation. All the digitised maps are listed under ultra-specific categories, making the site an impeccable research tool. On typing in ‘India’, here’s some priceless entries that popped up:

P.S. We cannot stress this enough—use your laptop, PC or a large tablet, for the best viewing experience. The high resolution will help you read the faintest of drawings and descriptions.

 ‘Indiae Orientalis, Insularumque Adiacientium Typus. Cum Privilegio’ by Abraham Ortelius. Published in 1570 in Antwerp, Belgium

This is a first edition map of Southeast Asia from Theatrum Orbis Terrarum, the first modern world atlas. The cartographer, Ortelius, was an industry pioneer—a star of Netherlands’ Golden Age of cartography, he may have also been the first person to suggest the idea of continental drift. Spot ‘Indostan’ above the Tropic of Cancer, and don’t miss the ‘sea monsters’ in the Pacific Ocean, a mainstay on medieval maps. There’s a particularly aggravated whale, a pair of vain mermaids, and a horned chimeric being.

Drawings: 14a-d, Chandigarh; 15,16, Chichen Itza; 17-19, Granada. Part of ‘The City, Form and Intent’ by Richard Saul Wurman, 1963.

You know a class project’s good when people try and look it up fifty years later. These illustrations were sketched for a session held by American architect Richard Wurman at North Carolina State University in 1963. Attended by 61 students, the venture compared city models from across the world to create the The City, Form and Intent, a legendary work of information architecture and design. The drawings, made by budding (and now prolific) architects Robert Burns, Frank Williams and Peyton Abbott, represent Chandigarh next to Granada in Spain, and a ziggurat in Chichén Itzá on the Yucatán Peninsula. As if Wurman wasn’t already the ultimate teacher, he’s also one of the founders of TED. Yes, that TED.

‘Vorderindien’ by F.A. Brockhaus, Ehrenfried Leeder and Heinrich Leutemann. Published in 1863 in Leipzig, Germany.

Closeup of 'Vorderindian', showing (clockwise) the Gokul Dham temple, an elephant ploughing a field flanked by areca palms and lotuses, and Indians in assorted attire. From left, it's a Hindu in Lahore, Indian women, a maharaja, and a sepoy.

Ten steel-engraved illustrations of Indian geography, architecture, culture, and wildlife frame this 19th century map of India—I particularly like the ones showing a Santhal hunting scene, and the Himalayan foothills. Each of these high-contrast sketches is incredibly detailed with hachures and cross-hatches, and probably worthy of their own framed prints. Vorderindien is part of a 22-map atlas that’s still quite sought after. An 1863 edition was reprinted as recently as 2005.

Closeup of Air India’s world route map on a hand fan, released in 1960.

A rare hand fan released by Air India for promotional purposes. Coloured in gold, blue and order, with a shimmering trim around the edges, the betel-leaf shaped fan shows the airline’s mustachioed mascot in a Mughal miniature-style scene with his lady love. The back side shows Air India’s routes across five continents in the 1960s.

‘Calcutta.’ Published in 1842, under the Society for the Diffusion of Useful Knowledge in London.

The Society for the Diffusion of Useful Knowledge was a 19th-century body focused on sharing information with those lacking formal education—and they definitely pulled out all the stops while designing inexpensive maps. The illustrated vignettes on this Calcutta map depict the street of Esplanade Row (now called Sidhu Kanu Dahar), Writer’s Building and Government House (Raj Bhavan), all of which still stand today. 

‘A Great Industry: Where Our Tea Comes From. MacDonald Gill, 1937.’ Published in England.

India wasn’t a nation of chai-drinkers until the British East India Company introduced large-scale tea production in Assam. Records show that native brews were either employed by tribes, or were combined with preserves and spices for medicinal use. Once Chinese strains took root, tea was branded as a natural patriotic gift from a colony. This image is a closeup of three lithograph maps on a poster. It depicts the British pride of having a steady tea supply from India, Sri Lanka and Indonesia. 

‘Book Map: La Ville de Goa’ by Jan Huygen van Linschoten. Published in Amsterdam, 1595.

This map of Goa came in a three-part volume that revealed the secrets of Portuguese trade and navigation to the European world. It not only discussed maritime hubs in southern Asia, but also potential opportunities in the East Indies. This knowledge bank supposedly opened the doors for Dutch colonisation in Indonesia, and the British Raj on our shores. While that’s a terribly unpleasant legacy for a map collection, there’s something to be said for Linschoten’s efforts—he was one of the first to show  southern Asia in great detail. 

‘Islands In The Indian Ocean (with) inset map of Mauritius’ by R.M. Martin, H. Winkles, J. Rapkin, H. Warren J. Rogers and J. & F. Tallis. Published in New York, 1851.

A charming summary of islands in the Indian Ocean, with drawings of key port towns for the uninitiated. We spot Galle in Sri Lanka, Port Louis in Mauritius, and (we’re not sure why) the North Beach on Prince of Wales Island, Alaska. There’s also a native Malagasay village, and a tiny waterfall on the French-administered Isle of Bourbon, now called Réunion. Perhaps the mapmakers were playing favourites?

‘Plan de Bombay’ by Jacques Nicolas Bellin. Published in Paris, 1764.

A view of Mumbai before land reclamation projects created the superlative landmass today. Changing hands from the Silhara dynasty, the Gujarat Sultanate, and the Portuguese occupation, the seven islands of Bombay, Colaba, Little Colaba, Mahim, Mazgaon, Parel and Worli were ultimately handed to England as part of a royal wedding dowry. We’re told the East India Company later rented the islands for £10 a year. 

This map was probably created after the original seven islands were merged—it only shows Salsette and Trombay marked as a major separate island. The original seven now hold South Mumbai, while the latter makes up Thane and the suburbs.

If you can't already tell, spending just a few hours studying the Rumsey Maps can provide an unlikely yet brilliant primer on history, art and international relations. After poring through the India section, here are our key takeaways:

  • We can’t escape biases today, and neither could early mapmakers. Stargazing, explorer accounts and limited public information were the few avenues for medieval artists, and they often put in their ideas of mythology and propriety into these maps to spice things up. Some of these elements can be deemed offensive today, so keep an open mind.
  • The Oriental outlook can still feel a little uncomfortable, and lead to miseducation and prejudice. It’s possible that an interest in the exotic led to more detailed mapmaking of Asia in the first place, but if you’re going through medieval atlases for the first time, take the descriptions with a pinch of salt. An 1891 atlas I came across here had confidently erased Dravidian identity, declaring that all who lived below the Himalaya, Hindukush and the Caucasus were Caucasian, except for a few ‘low races’. 
  • After gazing through hundreds of Indian maps here, port towns and the British Presidencies were the clear winners when it came to regular updates and rich detail. Central and southern India, with large indigenous populations? Not so much. Smaller French colonies like Chandannagar in Bengal also persistently show up, hundreds of years after their their relevance declined. It gives the impression that European representation was more of a concern than accuracy for the masses.
  • This isn’t exactly a takeaway, but as a geography nerd, I’d be remiss to not share this tidbit. We’ve forever used Greenwich as the prime meridian, but did you know that before the future British empire, the Paris and Ferro meridians were used as the world’s central longitude? Ferro (El Hierro), part of the Spanish Canary Islands, was considered the westernmost point of the Old World, about lay about twenty degrees west of Paris.

India too has a long history of cartography based on celestial calculations and international texts, but our homegrown maps are yet to find a place in the Rumsey collection online. 

To begin exploring this monumental archive, visit davidrumsey.com


1

I love the way you write and share your niche! Very interesting and different! Keep it coming!

wordsgame.lol
Alvin Alvin September 10 , 2019

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