Meghalaya: Indigenous Food Festival

Meghalaya: Indigenous Food Festival

The slow food movement comes to India with the Indigenous Terra Madre at Shillong

Madhulika Dash
February 05 , 2016
12 Min Read

Meghalaya’s lack of connectivity, in fact, has been a blessing in disguise as people have not abandoned their culinary heritage in spite of rampant development and the accompanying winds of change. The food is ex­tremely localised, seasonal and fresh. This does not mean you will not get Arunachal’s thukpa in Shillong or the famous Naga pork curry in Guwahati. Or vice versa. Given the close proxim­ity of the seven states and Sikkim and how the boundaries fuse together, food like people travels seamlessly. But the culinary culture has remained intact, and that is fascinating.

Take, for instance, the food cul­ture of Meghalaya, a state known to produce the best ginger in the country. Blessed with squash, wild ferns and a variety of chillies, the food is mostly flavoured with these three ingredients with the addition of bamboo shoot, which serves the same purpose akhuni (fermented beans) does in Naga cook­ing. Another aspect of Meghalaya cuisine is the use of pork, which is had smoked, cured, pickled and fresh. In fact, the signature rice dish, jadoh, which is also a ritualistic dish, is still made with pork blood and local sticky rice, and is served with a generous helping of pork on top.

Jadoh stalls are a common sight in Shillong

The use of local produce in the cook­ing stems from the age-old tradition of having a kitchen garden in the vicinity of the house. A custom that began when headhunting tribes took to settling down and domesticating animals, a kitchen garden back then would determine what would be cooked for dinner in the community kitchen, and also the food that needed to be pickled/cured and stored before winter set in. Meghalaya, like the other states of the Northeast, had little growing during the winters except for wild edibles like squash, yam, fern and mushroom, and preserving food was therefore a necessity. Things haven’t changed much since then. People still cure their meats and pickle their vegetables for a rainy day and, of course, also because they like their food that way. Now, the concern isn’t winter but the lack of good quality produce, which is essential for good food, especially when the primary source of flavouring is animal fat.

It is the same in Nagaland, where womenfolk smoke meat through the summers so there is enough meat (read: pork, beef and pigeon) to eat during the rainy season when meat and fish contamination is at an all-time high. This perhaps explains why the insect meal was designed as a pre-winter meal. Aside from the fact that insects are protein rich and work as immunity builders during the seasonal change, winter is also usually the non-agricultural season in the Northeast when fields are left to regenerate for the season. It is also the hibernat­ing season for most insects, a time when they can be foraged with little effort. Like the riverbed beetle from Arunachal Pradesh. A tribal delicacy, the only time one can catch these quick-footed beetles, said Jimsi Tassar, an assistant professor at Arunachal Law Academy who was a part of the Taste Theatre on Insects, “is while they are hibernating underneath the stones along the riverside.” They are, added Tassar, boiled in water before being cooked with onion, garlic, chillies and tomatoes and served on rice. To an in­nocent palate, it will quite likely taste like a nice shrimp dish, much like the kolambi masa of Maharashtra.

Indigenous fruits and vegetables displayed at the Biodiversity Fair

But insects are not the only things that make Northeastern food indigenous. It is also the understand­ing of wild edibles like flowers, sweet potatoes, tapioca, blueberries and spinach. Like the blueberry juice that is served to visitors in most villages, a mix of fermented and fresh juice with locally procured honey adding sweet­ness to this extremely sour drink. The thing about cooking with wild edibles is that they are intense on flavours, readily available grow in abundance, but need the understanding of which one is not poisonous, said Sean Sher­man (‘The Sioux Chef’), who has been working with wild edibles for almost five years now and had prepared a delicious gourmet dish made of Anishinaabeg wild rice with blueber­ries and maple glaze to promote wild edibles in the Taste Theatre. For the tribes of the Northeast, wild edibles like the squash that grows almost like a weed everywhere, are part of their daily meal. It is commonplace to serve pithika (mashed vegetable) alongside rice for an afternoon meal. In villages like Nongtraw, the garden, a Slow Food initiative, located in the centre of the village is often a place that educates the new genera­tion about these wild plants. The thing about tasting a dish made of produce grown using traditional methods is that it rarely needs those extra lash­ings of cream and fat, which are often used to mask or infuse taste in a dish. The food in the Northeast needs little by way of spices and flavourings. In fact, Nagaland honey, which the Nagaland Beekeeping and Honey Mission presented at one of the Taste Theatres, was an eye-opening lesson in how different naturally extracted honey tastes from the com­mercial version, which is di­luted and relies on a generous amount of sugar.

While the many Taste The­atres gave an insight into the difference that eco-friendly pro­duce can make to food, and why chefs are required to lend mo­mentum to this drive by creating gourmet dishes that will appeal to a larger audience (there is an Indian Slow Food Chef Asso­ciation with the likes of Manjit Gill and Sabysachi Gorai, who already promote local produce in their respective restaurants, spearheading the cause), it wasn’t until the Food Festival at the Sacred Grove at Mawphlang, also the event’s closing ceremo­ny, that one could understand the essence of the Indigenous Terra Madre (ITM). Standing in front of some 70-odd stalls, all selling tribal food prepared and served in earthen pots, with an ITM kitchen run by the top chef of the country, one could finally realise what Slow food was all about, and why it had to be Shillong.

Fermented food platters at the Taste Theatre

Slow food isn’t just an idea; for India it is the revival of traditional tech­niques that will ensure there is food—good food—for generations to come. Not only good produce but also food that is nutritious and can sustain life, much like how Ayurveda dictated our thalis to have foods that complement each other in taste and wellness.

Walking the mile-long food street, I discovered the real indigenous foods of the Northeast: a curious mix of fermen­tation, curing and slow cooking of food in its own juices that was tasty, nourish­ing and way better than commercially produced ‘junk food’. Like the wung­wut ngam, a chicken dish with a gravy thickened with rice powder instead of commercially produced cornflour. The clever use of wild elephant apples and sour spinach gives the sourness to the iconic masor tenga, and the slow cooking of garlic, ginger, chillies, makat, pee chim khim, phoi hom (indigenous scented spice leaves) led to the making of pasa, a warrior soup. Or wak gominda, a Garo autumn stew made of pork and wild squash with ginger and chillies. In fact, the pakora thongba, a delicate Manipuri version of the popular North Indian curry was almost a wake-up call on how a good curry needs less spice and better produce.

A plate of Jadoh with pork on the side

In that instant I realised what was at the heart of ITM 2015. Slow food is about conserving traditional practices that will give the Earth a chance to regenerate, so that it can sustain the next generation. And if there is one region that can truly lead by exam­ple—one you can see, smell and taste, it has to be the Northeast, and Shil­long in particular, which over time has become the hub of close to 65 tribes and their culinary culture. Or, as Petrini said in the end, “you can start saving a culture, when the culture still walks the street. In Shillong, it does and happily so.”

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