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The 52 films that make our jurists’ canon, with their twists and turns duly explained
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Comes close to perfection on that exalted male-dominated star system scale of the Hindi film industry.
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It is Tarantino’s genius that the various strands all tie up smoothly at the end.
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The title suggests the prisoner-like existence of Indian women, whether in jail or outside.
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The infinitude and unknowability of outer space stands in for the fraught dark alleys and cul-de-sacs of the human mind.
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Dev Anand dons many disguises in this one, something which became a sort of leitmotif in his other films
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Lovingly chiselled, sparingly distilled, unbearably light.
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The ‘tears in rain’ monologue is considered one of the biggest moments in sci-film history.
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It is a melodramatic saga of devotion to art, ambition, ego, betrayal and sacrifice
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A film that has ruled the shared public consciousness of two generations of Indians
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So technically superior and cinematically large that it’s unsurpassable.
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The lost-and-found screwball comedy theme taken to its apex.
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The film soared high with some original writing by the upcoming Anurag Kashyap.
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The film was trashed by critics but lapped up by the audience, taken in as they were by the bright, gaudy sets
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A tragi-comic fable with a noir sensibility
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There’s everything epic about this western...
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This film is a political satire on our society.
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It proved that it is possible to improve on the original.
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Only a mind soaked in Indian sensibilities could entirely absorb this take on strangled love and decadence.
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This laughathon is narrated in cartoonish style and a breathless pace with relentless physical/verbal/visual gags
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Twenty years, and still running.
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A novel that became enhanced into an icy scaremonger.
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Some of the rail platform shots would be worthy of any European master.
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The still waters of emotional stress that lie beneath rambunctious cooldom
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A work of cinematic art and one of the most celebrated films in history.
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Redefined the gangster film genre.
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This pitiless self-satire—animated by a brilliant cast—is adapted from a semi-autobiographical play
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Bill Murray calls it “the supreme achievement of the modern age in terms of comedy”
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An English patois film made in India showing ’70s Delhi college life
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A saga of theatrical ambition and conceit, pride, deception and hypocrisy.
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A subtle satire on those who obsess about linguistic purity
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A sceptical tribute to the ’60s and its flawed rebels.
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It’s a masterpiece of choreography.
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Its relevance is still found in the behaviour and attitude of many media barons of our time.
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The archetypal ’70s family drama
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The best exotic William Shakespeare as it were.
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Godard’s voluptuous, sunlit film is a shuffling, like so many cards, of motifs modern and classical
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Splits the storyline between a migration of untouchables from a village to a city and the tyrant ordering the community of sweepers to be whipped for not working
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One of its iconic scenes being the image of Harold Lloyd clutching on to the hands of a large clock on a skyscraper
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Comes across as a stylistic exercise rather than one woven together by narrative
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Its trudging ground is the American Midwest, with its wide spaces and its homey, stoutly middle-of-the-road folks.
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A face-heterografting sequence led to several nauseated faces in theatres
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Freely borrowed from The Godfather, but brilliantly localised by Mani Ratnam,
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Captures the nostalgic spirit and witty patois of the wounded rock-soldiers in the post-hippie decade.
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As magical as it gets, and very, very English.
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What holds this film together is not the plot but the theme of food
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A Broadway masterpiece adapted into a film.
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A fantasy-adventure film, essentially for children which soon attained cult status
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Woody Allen's genre-defying romantic comedy
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A journey of innocence to experience, of unrequited, selfless and selfish love, and love found and lost several times over.
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The title passed into common usage to describe repetitive living.
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Sensuality and claustrophobia in a feudal setting of 1920s China.