Art & Entertainment

Saskia Rao-de Haas

The Delhi-based Dutch cellist on her unusual tryst with music and deep love for India

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Saskia Rao-de Haas
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How did Indian classical music interest you?

It chose me. I’ve learnt it for 10-12 years; something inside connected with the music.

Is the cello suitable for Indian music?

It produces a wide range of sounds and is well-suited for Indian embellishments. The heavier strings add to the depth.

Hari Prasad Chaurasia taught you, but he played the flute?

He played the music on different flutes to demonstrate, as the mode of instruction is imitation. He helped me create my unique sound.

You released a solo cello album. Can it be an accompanying instrument for vocalists?

I use it in dance and theatre productions. The best thing about the cello is that it resembles the human voice and can be used to supplement solos and also acts as a bass.

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Do other musicians who use the cello for Indian compositions face problems?

No, anyone can play it, so long as you are deeply involved.

Is classical music in India well-received?

It’s niche, but people have learnt to appreciate it. An active choice needs to be made to listen to it. That’s where it differs from the West.

How would you rate the Indian style of instruction vis-a-vis the Western one?

One can never be better. A consolidation of the two approaches is required, with a strong curriculum and relationship with the teacher.

Is global audience for such music growing?

The presence is already dominant and appreciated due to the work of certain pioneers.

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How different are Delhi and Amsterdam in terms of music appreciation?

There is a shared interest in music. I enjoy playing for both audiences.

Do you and your husband, sitarist Shubhendra Rao, share common interests?

Of course, but music always comes first, and it’s great listening to each other.

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