At a time when painting was only done on paper/canvas, how did you begin to explore digital art?
I started using a computer as early as 1985. Gradually, new interfaces made it possible to work with graphics, and both still and moving images.
Tell us about your first experience with the form.
Whether it’s an object or image—moving or static—the principles are the same.
Allured talks about exploring possibilities in in-betweens; has digital art more possibilities of bridging gaps?
Yes, for in the digital realm you are freed from the constraints of matter. Also you are not bound by any medium or technique. You can pick up a tool that comes from a painter’s studio or a photographer’s dark-room.
Your latest works seems to fuse the artist and filmmaker in you.
Possibly, for some works in the exhibition have multiple framed units. For me there is no difference in approaching a film or a single image.