The September 2010 issue of Words Without Borders has a treat:
Curated by distinguished translator Muhammad Umar Memon, this stunning collection is the perfect primer on the fantastic and varied forms of contemporary Urdu writing. Naiyer Masud, master of the Urdu short story and Saraswati Samman award winner, follows the travails of a young runaway given refuge by a mysterious stranger. Celebrated fiction writer Qurratulain Hyder tracks the fortunes of a young woman who jettisons family and home on an intercontinental romp, with the past hot on her heels. Trailblazing feminist writer Ismat Chughtai gives an unsparing account of the goings-on in a maternity ward, while Anwar Khan’s protagonist discovers the comforting solitude of a shop window. Award-winning journalist Sajid Rashid sorts through a train explosion in a tale told by a severed head, and Siddiq Aalam listens in on two grumpy old men in a Kolkata park. Rounding out the issue, Sahitya Akademi Award winner Rajinder Singh Bedi gives a lesson in the art of erotic statuary, while Zakia Mashhadi recounts a troubled saga of marriage, love, and religion, and Salam Bin Razzack paints a picture of a Mumbai under siege.
Read on here
(via Professor C.M. Naim)
Talking of Urdu — and the spot-fixing controversy — the Language Log demolishes Mike Brearley for writing:
There is no future tense in Urdu; the future is in the hands of Allah, it is not for mortal men to speak as if they presume to know what it holds. But Pakistan's players must at least have feared for their future as the day wore on.
Read on here
(Link via @sepoy)