Amitav Ghosh on his blog:
I have never attended the Jaipur Literary Festival; nor does a visit loom in the foreseeable future. This is largely (but not wholly) because I have no taste for tamashas. Although unusual, this aversion is by no means unknown in the Indian subcontinent. I know of many writers and readers who share it, and I suspect that most of us were drawn to the world of books precisely because it provided an island of quiet within the din of tamasha-stan.
My own inclinations make it difficult for me to understand why Salman Rushdie is so drawn to this festival. But each to their own and I recognize that I am in a tiny minority. The great majority of writers seem to want to go and anyone who does should certainly be able to. It is appalling that Rushie was prevented from attending and I am wholly in agreement with those who believe that this bodes very ill indeed for the future of free expression in India...
As a child I was drawn to books because they were a refuge from a world that seemed to be at war with the very idea of an inner life. That world has become today exponentially more noisy, crowded and intrusive than ever before. Public life in India is now a whirling continuum that seamlessly unites cricket, politics and Bollywood. Each domain leaks into the other and the major figures are all closely linked. It is no coincidence that many of these elements are also much in evidence at book festivals. The intention evidently is to make the book world another link in the tightly joined whirligig of Cripollywood. It is easy to see the attractions of this, especially for writers who are striving to bring their work to public notice. But there is a price to pay: we need to remind ourselves that Bollywood movies are routinely re-edited to accommodate protests of various kinds. Recent incidents in Jaipur and in Kolkata, where Taslima Nasreen was also prevented from participating in a festival, suggest that Indian publishing will have to adapt its practices to those of the film industry if it is to pitch its tent beside the three-ring circus of the tamasha culture.
Read the full blogpost on Amitav Ghosh's blog: Festivals and Freedom