Sathya Saran draws the pictures of a packed auditorium where Amol Palekar made his return to theatre after 25...
From Sasoon Dock in the south to Vile Parle and Mulund on the northern ends of the city, Mumbai city has 81...
Though he has in the past used his art to create other awareness stories, it is with ‘Aftermath’ that...
Feroz Abbas Khan's new play Raunaq & Jassi tells a tale about a love that transcends boundaries. 'Morn to...
At a time when Nature seems most threatened, poets and dancers find it imperative to remind us of its beauty...
At an edition of Shaadi by Marriott held recently at the Renaissance Hotel in Lucknow, dancers held the...
Sathya Saran writes about music that connects audiences to 'themselves and to silence' and about the dance...
Today, film music is mainly led by rhythm; foot-tapping and ear-popping music enhanced by digital sounds....
The video, aimed at the younger generation, as much as at the honchos in the corporate sector, and the beauty...
Kiran Nagarkar was to writing what Basu Chatterjee was to films... he could enter the mind of people and...
In Devika Rani and Bali, we have two writers looking at text differently, resulting in productions very...
Ray was a master of casting. This examines how his characters moved through the narratives.
#MeToo may never transform Bollywood—but women who evaded the trap of exploitation and became stars can...
Bollywood affairs have always caught the public’s imagination. Now, they have also become a marketable...
Woven around the many facets of Shashi Kapoor whom most readers would have known only as a star.
A valuable insight into the technique and work of a consummate artiste
Not only in movies, K.A. Abbas lives on through his crisp, limpid prose
Best to read a chapter, play the song and listen to the tune unfolding. Only then can one understand it...
Apart from sporadic stories, there is little that is new.
Not easy to read in one sitting but could make a great reference book.
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