POSTED BY Outlook Web Desk ON Mar 12, 2015 AT 21:55 IST ,  Edited At: Mar 12, 2015 21:55 IST

Sir Terry Pratchett, author of the Discworld fantasy series of novels died at the age of 66 "with his cat sleeping on his bed, surrounded by his family".

His publisher, Transworld, described him as one of the "brightest, sharpest minds" of the world.

20 quotable quotes from Sir Terry Pratchett on life, the universe and everything:

  1. In ancient times cats were worshipped as gods; they have not forgotten this.
  2. Build a man a fire, and he'll be warm for a day. Set a man on fire, and he'll be warm for the rest of his life.
  3. Most gods throw dice, but Fate plays chess, and you don't find out til too late that he's been playing with two queens all along.
  4. They say a little knowledge is a dangerous thing, but it's not one half so bad as a lot of ignorance.
  5. Light thinks it travels faster than anything but it is wrong. No matter how fast light travels, it finds the darkness has always got there first, and is waiting for it.
  6. The ideal death, I think, is what was the ideal Victorian death, you know, with your grandchildren around you, a bit of sobbing. And you say goodbye to your loved ones, making certain that one of them has been left behind to look after the shop.
  7. Five exclamation marks, the sure sign of an insane mind.
  8. Only in our dreams are we free. The rest of the time we need wages.
  9. Evolution was far more thrilling to me than the biblical account. Who would not rather be a rising ape than a falling angel? To my juvenile eyes, Darwin was proved true every day. It doesn't take much to make us flip back into monkeys again.
  10. If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
  11. It occurred to me that at one point it was like I had two diseases - one was Alzheimer's, and the other was knowing I had Alzheimer's.
  12. It is often said that before you die your life passes before your eyes. It is in fact true. It's called living.
  13. Death isn't cruel - merely terribly, terribly good at his job.
  14. Inside every old person is a young person wondering what happened.
  15. I like the idea of democracy. You have to have someone everyone distrusts. That way everyone's happy.
  16. By the time you've reached your sixties, you do know that one day you will die, and knowing that is at least the beginning of wisdom.
  17. I didn't go to university. Didn't even finish A-levels. But I have sympathy for those who did.
  18. I intend, before the endgame looms, to die sitting in a chair in my own garden with a glass of brandy in my hand and Thomas Tallis on the iPod. Oh, and since this is England, I had better add, 'If wet, in the library.' Who could say that this is bad?
  19. I believe in freedom. Not many people do, although they will of course protest otherwise. And no practical definition of freedom would be complete without the freedom to take the consequences. Indeed, it is the freedom upon which all the others are based.
  20. If cats looked like frogs we'd realize what nasty, cruel little bastards they are. Style. That's what people remember.

Also see: Terry Pratchett on the need to talk about dementia

The last few tweets from Pratchett's Twitter account which he shared with his friend Rob Wilkins:

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POSTED BY Outlook Web Desk ON Mar 12, 2015 AT 21:55 IST, Edited At: Mar 12, 2015 21:55 IST
POSTED BY Outlook Web Desk ON Mar 09, 2015 AT 17:12 IST ,  Edited At: Mar 09, 2015 12:07 IST

Media houses paid their tributes to the last great editor, Vinod Mehta, who died on the morning of March 8.

Mr Mehta, the founding Editor-in-Chief of Outlook, left his indelible mark on journalism for his wit, freshness of approach and integrity.

Some obituaries from colleagues and fellow-journalists: 

 Chandan Mitra in his tribute in The Pioneer calls him "An Editor From Beginning to End"

 

"Vinod’s qualities as a writer are sufficiently well known to merit recall. But as an editor, he was universally applauded not for his scholastic understanding or linguistic flourish, but the sheer simplicity of prose. I always found him to be a man who knew his limits as a journalist.

Never an intrepid reporter running around to break news stories, Mehta came up trumps because of his uncanny ability to package a story. This set a trend at a time when Indian journalism was mostly glorified stenography, merely reporting which politician said what. He was less concerned about a paper’s lead story and more about whether the gossip items in the daily Diary column were juicy enough."

**

The Hindu in its article penned by Smita Gupta says that his demise marke the "End of an Era in Journalism".

"If he had an unerring instinct for a good story, he also knew precisely how to spin a done to death story to extend its shelf life. He revelled in controversies and scandals. At Outlook — where I worked for six years — editorial meetings were always brief: if you had not pitched your idea with almost headline-like brevity, you were in danger of losing his attention. When your story was written, he knew exactly what needed to be elaborated on, sometimes pushing you to say what you had hesitated to say. Always democratic, he never held a disagreement on a story anyone might have had with him against that person. He was never pompous. Mr. Mehta, of course, was not infallible; if he had dismissed a reporter’s assessment and then found later that he was wrong, he might not have apologised, but he would make it up to the reporter swiftly — for instance, by handing out a plum assignment."

**

The article in The Indian Express , written by Coomi Kapoor throws light on The Lucknow Boy's journalistic journey.

"Vinod was an iconoclast who brought a breath of fresh air into the fairly conservative world of journalism of the nineteen eighties. He had an unconventional approach towards editing newspapers, brimming with ideas he was shorn of any pomposity. He started out in the profession as editor of Debonair magazine, known then more for its steamy semi-nude centre spreads than its literary content. But Vinod introduced thought provoking articles to give the magazine a new character. From Debonair he went on to  launch a new Sunday tabloid , the Sunday Observer, whose chatty informal style and out-of-the-box approach to displaying stories, pioneered a new  form of Sunday reading. The political gossip column became a staple along with human interest pieces on the high and the mighty."

**

While Anjali Puri in her obituary in Business Standard  talks about his editorial finesse.

"At editorial meetings, his eyes lit up at the hint of  scandal and controversy, and he was deeply suspicious of  what he saw as preachiness or pretentiousness in a writer,  though sometimes respectful of genuine erudition and originality. The worst thing he could say about a prospective columnist or a book reviewer was “boring as hell”.  Stories are legion about Mehta’s knack of  packaging a story more boldly than a nervous reporter had intended, especially since he was never too  weighed down by political correctness. Once, in his Mumbai days, he famously gave a serious piece by a feminist writer on the pressures on women to conform to depilation and conventional norms of femininity, the headline: “ I love my hairy legs”."

**

Arnab Goswami pays his rich tribute in Times of India calling him a man of immense integrity but thoroughly unpredictable.

"In this complicated world where journalism has come to coexist with intrigue, agenda, lobbies and motive, Vinod was the one editor who wasn't looking over his shoulder to check what others thought of his news stories or his opinion. Vinod, I will miss you. You were the most straightforward man I have dealt with. The kindest human being I have known."

**

M J Akbar in Economic Times says Mehta always lived the life of an editor.

 

He talks about his honesty and fearless attitude and the decision-making capability as an editor.

"This much must be said of him, and for most of his contemporaries: they did not confuse integrity with heroism. It was simply a non-negotiable part of their job, an aspect of generational inheritance, for Indian journalism has great men and women of enormous honesty and brilliance in its hall of greats. Vinod Mehta wore his honesty lightly. That is why it looked so comfortable upon him."

**

Saika Datta, who was his previous colleague at Outlook, writes how Mehta always stood by him and other fellow journalists, in Hindustan Times.

"Early in my career with him, as I chased down a major arms deal and its attendant kickbacks, the arms dealers were trying their best to shut down the story. They were filing suits in courts, seeking injunctions to ensure that the next story could be killed before publication.

But Mr Mehta gently put an affectionate arm around my shoulder one evening, probably aware of the tension that had crept into my face. “Don’t worry my friend,” he said, “if we go down, we will go down together. Just do your story and I will handle the rest”. Then, he walked away."

**

Anil Dharker in Hindustan Times  talks about the journey with the 'Editor Unplugged'.

"What distinguished Vinod from his contemporaries was that he was no respecter of reputations, and politicians particularly were the objects of his mockery.  That’s why when he moved to Delhi, he never developed a cosy relationship with ministers and politicians. His run-ins with proprietors was partly a result of this at-arms-length attitude.  His falling out with Vijaypat Singhania at The Indian Post and LM Thapar’s Pioneer were spectacular in their suddenness, but he was stubborn in not following any diktats.  In the battle that ensued someone had to go. Obviously that was the Editor."

**

Tarun Tejpal who worked as the managing editor of Outlook writes in the Mumbai Mirror:

One of the first impressions that formed was that of the two great editors with whom I worked - Aroon Purie [of India Today] and Vinod - the first was good with the solid story while the other had a thing for the hot story.

It became amply evident to the reporters who worked at Outlook that, unlike Purie, Vinod would not plunge into the minutiae of their workday lives. No one had to hew to a prescribed editorial line and the Editor-in-Chief would allow each one of us enough room to do our job unimpeded.

Principally, these were the gifts that remained with Vinod wherever he went and whatever he helmed - the Sunday Observer, Indian Post, The Independent, Pioneer Debonair and Outlook - openness, the pattern of seeking the gossipy side to a story, of being vivacious in his approach to the piece and, always, having a great big adventure. 

**

Ajaz Asharf writes in the Firstpost:

But for all those who had worked under his helm, Vinod’s most exemplary and endearing quality was the democratic spirit he spawned in the organization he led. Editors are mostly authoritarian, inspiring fear and silence and revolting obsequiousness. Vinod chose to create a relatively flat world, where there were designations symbolizing responsibilities more than degrees of power. Even the most junior staffer could swing into his office; he wasn’t “Sir” but Vinod; you could toss four-letter words at him as frequently as he did at you.

**

Smruti Koppikar, his previous colleague at Outlook, writes in Scroll

He belonged to the rare and diminishing breed of editors who did not court people in high offices or flaunt his friendships with the mighty names of our times. He lived, ate, drank, drove, worked and worried about old age in a commonplace manner that many of us do.

It was his voice that stood out. Over the 40-odd years of his journalism, through the years in Debonair, The Sunday Observer, The Indian Post, The Independent, The Pioneer and Outlook, his voice came to stand for some of the most cherished values in journalism and public affairs: integrity, independence, irreverence and impartiality. He was the liberal iconoclast in the true sense, with slices of scathing wit and rare humility.

**

Ajith Pillai, another former colleague, writes in Scroll:

At one point, rather early in his career, it had become fashionable to say that Vinod Mehta knows nothing but his paper has credibility. So one must use the space he provides. A rather skewed logic, which did not bother him one bit. I worked with him for over 25 years and I can say that he simply judged stories on their merit and not because of their ideological tilt. This is perhaps why so many left- inclined journalists, human-rights activists and feminists were keen to write for him. At the same time, he accommodated right-wing views and stories provided they stood the test of reason.

**

The Editor's Guild issued a statement on Vinod Mehta's death, which they called 'a grievous loss to the media world':

In the passing of Vinod Mehta, the media world has lost a liberal, independent voice and the world  of public discourse in India a reflective contributor who spoke his mind without rancour or fear. The  veteran journalist who build up several publications, including Outlook in his last innings, was of an  exceedingly generous spirit and has been a mentor and guide to scores of journalists. Gentle in  manner and speech, yet firm in his views, he maintained a scrupulous distance and independence  from political leaders and parties and was held in great respect by all in media, politics, industry and  academia.  

The Editors Guild of India of which he had been president will miss his wise counsel and guiding  hand, and the media and the public policy worlds his thoughtful and perceptive observations.

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POSTED BY Outlook Web Desk ON Mar 09, 2015 AT 17:12 IST, Edited At: Mar 09, 2015 12:07 IST
POSTED BY Outlook Web Desk ON Mar 01, 2015 AT 18:10 IST ,  Edited At: Mar 01, 2015 18:10 IST

Leonard Nomoy who was almost synonymous with Mr. Spock, a resolutely-logical alien he played on Star Trek died on Feb 27 at his home in Los Angeles.

In its obituary, the NYT writes:

His artistic pursuits — poetry, photography and music in addition to acting — ranged far beyond the United Federation of Planets, but it was as Mr. Spock that Mr. Nimoy became a folk hero, bringing to life one of the most indelible characters of the last half century: a cerebral, unflappable, pointy-eared Vulcan with a signature salute and blessing: “Live long and prosper” (from the Vulcan “Dif-tor heh smusma”).

The BBC obituary says:

Despite a career that also embraced directing, writing and photography, he never managed to escape the character that came to define him. At times it seemed the actor and character were becoming one and the same person and Nimoy battled with alcohol abuse as a result. But he eventually derived great satisfaction from the role that dominated his life

The Guardian obituary says:

In front of the camera, as the half-human, half-Vulcan Spock, he captured with delicious wit the tensions in the character. Spock’s logical, detached perspective could be infuriating to his more demonstrative colleagues; it also caused him to be amused or bewildered by the workings of humans.

Nimoy contributed key details to the character, including the traditional Vulcan greeting: a hand held up and the four fingers parted to create a V. This was inspired by prayer gestures witnessed by the young Nimoy at synagogue.

He would later title his 1975 memoir I Am Not Spock. “I was trying to illuminate the actor’s process in creating a character. I talked about the fact that I grew up in Boston and Spock did not. My parents were Russian immigrants; Spock’s were not. I’m an actor who portrays this character.” He conceded, though, that the title had been a mistake and had given the erroneous impression that he was trying to shrug off his best-known role. He made amends by calling the 1995 follow-up I Am Spock.

The Telegraph writes:

Nimoy redefined the character from the minor one envisaged at the show’s conception into the most memorable. When Paramount studios made the mistake of allowing Spock to be killed off at the end of its second feature film spin-off, Star Trek II, public demonstrations demanded his return. Paramount’s stock fell on Wall Street until the third film in the canon, The Search for Spock, was completed and the character was “regenerated”. Six further films followed.

Leonard Nimoy’s cameo in the Simpsons’ X-Files spoof episode, The Springfield Files, remains one of the series’ all time greats. Seated behind a desk, he sonorously intones: “Hello, I’m Leonard Nimoy. The following tale of alien encounters is true. And by true, I mean false.”

Star Trek wasn't the only time when Nimoy dabbled in science-fiction. In the mid-seventies, a pair of recorded albums came out — Leonard Nimoy reading out works of author Ray Bradbury who is best known for his dystopian novel, Farenheit 451.

We give you samples of Nimoy reading Bradbury's Martian Chronicles and the Illustrated Man

US President Barack Obama issued a statement expressing his love for Spock.

While many took to the social media to express their condolences, the Canadian Design Resource led a call to action, encouraging Canadians to "Spock" their $5 bills.

Coincidentally, Nimoy ended his last tweet with the blessing that every Trekker is familiar with: Live long and prosper

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POSTED BY Outlook Web Desk ON Mar 01, 2015 AT 18:10 IST, Edited At: Mar 01, 2015 18:10 IST
POSTED BY Buzz ON Dec 30, 2014 AT 20:06 IST ,  Edited At: Dec 30, 2014 20:06 IST

Boobli George Verghese, as Inder Malhotra pointed out, while reviewing the former's memoirs, First Draft, wrote "more books than many of his fellow-professionals might have read":

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POSTED BY Buzz ON Dec 30, 2014 AT 20:06 IST, Edited At: Dec 30, 2014 20:06 IST
POSTED BY Buzz ON Dec 23, 2014 AT 23:14 IST ,  Edited At: Dec 23, 2014 23:14 IST

Woodstock, 1969 | “With a Little Help From My Friends” 

Saturday Night Live, 1976 (with John Belushi) | “Feeling Alright”

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POSTED BY Buzz ON Dec 23, 2014 AT 23:14 IST, Edited At: Dec 23, 2014 23:14 IST
     
 
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