My introduction to the Yash Chopra school was his film Kabhi Kabhie. I was obsessed with it, went crazy when I saw it the first time. I had formed this mental picture in which the maker of the film was this dynamic superstar, someone larger than life. Then one night Yash uncle and his wife, Pam aunty, came home for dinner. It was a weeknight and I had been tucked into bed early for school the next day. I remember I had told the servant to wake me up when he arrived. I saw him through the door that I had deliberately kept ajar. And my immediate reaction was “but he looks like my father”. Yash uncle and Pam aunty have been like mom and dad to me. The connect is emotional. They are part of my personal more than professional memories though I do remember how I forced my dad to take me to the sets and premiere of Chandni and Lamhe. Later Yashraj’s Dilwale Dulhania Le Jaayenge became my training ground as a filmmaker.
Yash uncle and my late father, Yash Johar, were these hysterically funny Punjabi men together. They would always talk in Punjabi. They would get excited about getting 50% senior citizen discount for movie tickets in New York. Here were these two well to do, much respected men who’d get elated for getting a $8 ticket for $4..
Bachchans are the other family I have been closest to since childhood. I have known both Yash uncle and Amit uncle’s kids very well which makes the attachment even stronger. I have seen Amit uncle at close quarters but my relationship with him has been reverential. I found him daunting, was scared of him as a child. He was much bigger than human for me. I remember dad was at the hospital after Amit uncle’s accident on the sets of Coolie, how medicines were transported from London to Bombay. The whole country was writing letters to him. I also wrote one and was confident that because of our proximity mine would definitely be read. And he did write back. I showed it to everyone in the school. It became my big moment of popularity. Initially when the kids refused to believe me I asked a teacher to authenticate the letter. I was a fat boy back then and fat boys end up socializing more with girls. But that one letter was a breakthrough to get me into the boys’ club. I was in South Bombay where Bollywood was not considered cool. I always kept my Bollywood connect hidden. But a letter from Amitabh Bachchan was way too cool to not acknowledge.
1976 Kabhi Kabhie
I was a bundle of nerves when I shot with Amit uncle for my second film, Kabhi Khushi Kabhie Gham. I fainted on the sets, all of me was on Farah Khan. It was difficult to reconcile with the fact that I was instructing Mr Bachchan. People think that if you are from the industry you’d be used to the stars. That it would be no big deal if you have the access. However, it’s the other way; it’s a bigger deal. Since you understand the mechanics you are lot more aware of the star’s position, what goes into making him a phenomenon. It was an out of body experience for me to say “action” and “cut” to Amit uncle. The minute I see Yash uncle anywhere I touch his feet. When “Amit Uncle calling” flashes on my mobile I immediately stand up to receive the call.
He is so alive at 80. He is aware of the current world cinema, knows more than people half his age. It is superb to have a gossip session with him, he is so well connected with everyone and everything.
Mr Bachchan has done some path-breaking stuff as an actor, in films like Mili, Abhimaan, Chupke Chupke. Zanjeer brought an anti-Establishment persona that was a political necessity in the 70s. The angst was needed; the nation was looking for a hero. As the Angry Young Man he got such a Godlike stardom that he couldn’t have pulled away from it even if he’d wanted to. The audience also had a certain image of him, a reason why Main Azaad Hoon didn’t work. That’s the thing with stardom, the aura takes over the actor. You want to be challenged as an actor but can’t fight off the aura. It is a Catch 22 situation. As an actor he is getting much more challenged now with films like Black and Paa; he can take chances which were not allowed to him earlier.
Amit uncle is into blogging, tweeting. The young starcast of my upcoming film, Student of the Year, went for the Kaun Banega Crorepati shoot recently. They got tired waiting but Amit uncle was full energy. At 70 he exudes such power and vigour that kids promptly woke up from the slumber when they met him.
I feel blessed that with these people, who I have been in awe of, I also know their personal, human side. Yash uncle is a very funny man. He can keep you in splits with his dry sense of humour. In the middle of a conference or public meeting he’d say something in your ears that would make you crack up. But he is not phone savvy at all. For him a phone call is merely an exchange of information and he just keeps the phone down when he thinks that the information flow is over. You have to tell him right at the start the things you are going to talk about so that he doesn’t abruptly cut the call.
1979 Kaala Pathar
Amit uncle is a stickler, very methodical. A message from him always comes with where he is—Amitabh Bachchan from Goa, Amitabh Bachchan from London… He maintains, archives things. The sunglasses, jackets, shoes he wore for various films are racked and marked. Its like a museum, he has everything from every film, every significant letter written to him. He has a sense of preservation, has things from the first day in the industry. And look at me, I don’t have any working stills of Kuch Kuch Hota Hai. He is from a generation that valued everything. The passion they imbibed and embodied is the kind that lasts forever, beyond the change of seasons. Our generation takes our achievements for granted.
Yash uncle calls Amit uncle “Panditji”. It is wonderful to see them together. They are casual yet respect each other. There is a blend of reverence, fun and mutual respect in their interactions. The respect never kills the repartee. Those kind of conversations don’t happen in our generation any more. They often recall the outdoor shoot for Kabhi Kabhie, how much fun it was. Yash uncle tells me its not like that anymore, that we are not having enough fun on the film sets.
They worked on some great films together. Deewar, Trishul and Kala Patthar were the dramatic ones. Then Yash uncle brought out the poet in Amit uncle in films like Kabhi Kabhie and Silsila. That can only happen if you know the actor, the man personally. There has to be an emotional investment in the man. A personal connect with the actor was necessary to create emotional magic in these films. For the level of nuances these films had the director had to be in total sync with the actor otherwise both would have failed the film. It's like how I can capture certain emotions in Shah Rukh more effectively.
Though Yash uncle has announced that Jab Tak Hai Jaan will be his last film as a director am sure he will continue to be the powerhouse of Yashraj Films. Even today Adi (son Aditya Chopra) seeks his approval for everything. He understands the business dynamics, has the gut for making the right financial decisions, the instinct for right financial moves. He is clued into the market, knows how to leverage the brand to optimum level. An artiste never dies, he is at the most exhausted but Amit uncle is nowhere close to exhaustion. The artiste in him is breathing extremely well and has abundant energy. I know “legend” is an overused term but applies beautifully to Yash Chopra and Amitabh Bachchan. They are truly legends with legs that don’t end.
As told to Namrata Joshi — a shorter version of this appears in print
The tribute from Karan Johar to Yash Chopra (To Uncle, From L’il Pappoo, Oct 22) was excellent. Especially after the depressing sagas of Robert Vadra, and the ’62 war.
Thank you to all those who have taken the trouble to read the article and share their thoughts. Out of the arguments made here, there are two that perhaps need answering. So here they go.
1. The first part of the article compares outcomes (relative percentages of population of the religions concerned) irrespective of the process that led to those outcomes - whether immigration, relatively faster population growth or conversions. This was for two reasons. One, to put the figure of 2.3 per cent in "numerical perspective", as the article itself explained. The second reason was that outcomes are ultimately what the crux of debate is about. The rest of the article in any case dealt with process - or conversions in this case, from both a contemporary and historical perspective.
2. Some commenters have tried to cast doubts on the reliability of Census 2001. Those who do this should bear in mind that Census 2001 was conducted by a BJP government. Considering the extreme importance that BJP gives to this issue, it would be reasonable to expect that IF it had perceived a problem with the methodology that was distorting the numbers, it would have fixed it. As the article mentioned, BJP or BJP-supported governments have been in power for 10 of the last 40 years, or about a quarter of the time, and the only reasonable conclusion one can arrive at is that any misreporting of numbers, real or perceived, would be marginal and hence, not of importance.
To all other arguments made, my answer is the following: Please read the article again, with particular focus on the quotations of Vivekananda and Monier Williams, and the history of the missionary efforts in Bengal and their outcome.
Amitabh Bachchan when he was a young boy, looked very simple. He didn't look like an extraordinary boy, but very nice and simple. It seems, when people like this, find themselves in situations, then they become superstars. He is the same person, is what I mean.
This is the only Positive article I enjoyed after
reading Robert vadra and forgone China war.
its not reel but a real tribute.Excellant Johar.
One letter from Amit allowed Johar to get into the boys club?
And he seemed to stay on there forever afterwards, though the girls loved him more?
Nice to read a feel-good article in a murky atmosphere of present-day India. Good job, Karan.
Excellant tribute. After reading the negative reports
of Robert vadra, and the Himalayan blunder war
with china, I was in low spirits but this words of tribute
brought a positive vibe and was so soothing. Thanks karan.
We at Outlookindia.com welcome feedback and your comments, including scathing criticism
1. Scathing, passionate, even angry critiques are welcome, but please do not indulge in abuse and invective. Our Primary concern is to keep the debate civil. We urge our users to try and express their disagreements without being disagreeable. Personal attacks are not welcome. No ad hominem please.
2. Please do not post the same message again and again in the same or different threads
3. Please keep your responses confined to the subject matter of the article you are responding to. Please note that our comments section is not a general free-for-all but for feedback to articles/blogs posted on the site
4. Our endeavour is to keep these forums unmoderated and unexpurgated. But if any of the above three conditions are violated, we reserve the right to delete any comment that we deem objectionable and also to withdraw posting privileges from the abuser. Please also note that hate-speech is punishable by law and in extreme circumstances, we may be forced to take legal action by tracing the IP addresses of the poster.
5. If someone is being abusive or personal, or generally being a troll or a flame-baiter, please do not descend to their level. The best response to such posters is to ignore them and send us a message at Mail AT outlookindia DOT com with the subject header COMPLAINT
6. Please do not copy and paste copyrighted material. If you do think that an article elsewhere has relevance to the point you wish to make, please only quote what is considered fair-use and provide a link to the article under question.
7. There is no particular outlookindia.com line on any subject. The views expressed in our opinion section are those of the author concerned and not that of all of outlookindia.com or all its authors.
8. Please also note that you are solely responsible for the comments posted by you on the site. The comments could be deleted or edited entirely at our discretion if we find them objectionable. However, the mere fact of their existence on our site does not mean that we necessarily approve of their contents. In short, the onus of responsibility for the comments remains solely with the authors thereof. Outlookindia.com or any of its group publications, may, however, retains the right to publish any of these comments, with or without editing, in any medium whatsoever. It is therefore in your own interest to be careful before posting.
9.Outlookindia.com is not responsible in any manner whatsoever for how any search engine -- such as Google, Bing etc -- caches or displays these comments. Please note that you are solely responsible for posting these comments and it is a privilege being granted to our registered users which can be withdrawn in case of abuse. To reiterate:
a. Comments once posted can only be deleted at the discretion of outlookindia.com
b. The comments reflect the views of the authors and not of outlookindia.com
c. outlookindia.com is not responsible in any manner whatsoever for the way search engines cache or display these comments
d. Please therefore take due caution before you post any comments as your words could potentially be used against you
10. We have an online thread for our comments policy:
You are welcome to post your suggestions here or in case you have a specific issue, to directly email us at Mail AT outlookindia DOT com with the subject header COMPLAINT