Translations of fiction are always something to look forward to: for they can mean encounters with new images, metaphors and sensibilities. The work of English translation from Indian languages assumes an added political significance at a time when large numbers of Indians can read only in English and enjoy only a colloquial hold over Indian languages. The institutional consequences of the rise of a dominant class of deracinated Indians are of course yet to be properly understood.
In this situation, one feels especially grateful for the quiet determination and diligent scholarship with which Mini Krishnan, editor of the recently launched Oxford Novellas series, and her colleagues elsewhere, have sought to make literary texts in bhashas available in English over the last many years.
The first publishing initiative of its kind in the country, the Oxford Novellas give exclusive space for a literary form which has seen classics such as Poornachandra Tejaswi’s Carvalho and Asokamitran’s Water in India (and elsewhere, George Orwell’s Animal Farm and Ernest Hemingway’s The Old Man and the Sea). Six novellas have appeared in this series until now. Each of them includes an introductory essay and separate notes by the author and translator. In her editor’s note, Krishnan writes that the twin criteria of ‘social relevance’ and ‘literary excellence’ guided her choice of novellas.
Kesava Reddy’s Ballad of Ontillu (Moogavani Pillanagrovi) appeared in Telugu in 1993. Much before farmer suicides became a national shame, this novella made fictional space for the tragic desperation surrounding that phenomenon. A farmer’s persistent hopes of striking water for his parched ancestral land takes him deep into debt and makes him take his life. Despite its heavy sentimentality, the novella lays bare the profound attachment of farmers to their land and the brute realities confronting them. The novel’s stubborn realism, though, takes a fantastic turn at the end.
The Kannada writer Na. D’Souza’s The Island (Dweepa, 1970) is a fictional attempt to capture the tragic consequences of building a large dam in Shimoga district, Karnataka, well before displacement became the signature problem of development. A lone family, which has not been compensated with land elsewhere, stays back in a village threatened by submersion. The rising waters are expected to rob the village of access to roads only during the monsoon. Therefore, the family feels secure about staying on for a little longer, even while the jungle makes inroads. After a richly evocative description of the effects of imminent submersion on a human settlement, Dweepa shifts focus unexpectedly towards the charged relations between the husband and wife and their servant, and concludes rather hastily.
Nabaneeta Dev Sen’s Defying Winter (Sheet Sahasik Hemantolok, 1988) assembles narratives of women residing in an old-age home. The author-narrator intersperses her accounts with those of her fellow residents which, the translator informs us, is also a juxtaposing of different speech styles. While the narrator’s philosophical musings on age aren’t always convincing, the dark realities of contemporary family life, which routinely bring cruelty for the elderly, are movingly engaged in the story.
Published in the mid-1940s, C.S. Chellappa’s Arena (Vaadivaasal) contains a richly detailed account of jallikattu, the famous (and now banned) sport in the Tamil countryside where men try to overpower strong bulls. In this story, a young bull tamer seeks revenge against a bull that had fatally wounded his father in a fight. The story gives us a fascinating glimpse into the sophisticated world of jallikattu, with its own rituals of spectatorship and participation.
Marathi writer Saniya’s Thereafter (Tyanantar, 2002) takes on the difficult task of representing the sadness, confusion and pleasures of a woman affirming herself after her husband leaves her abruptly. The novella, which vacillates between the stereotypical social reactions to her changed circumstance and her own inability to make sense of her new relations with men, does not entirely acquire a depth of treatment.
Johny Miranda, the author of the extraordinary Requiem for the Living (Jeevichirikkunnavarkku Vendiyulla Oppees, 2004), notes that his story “captures the life of the...Latin Catholics of central Kerala”. And the translator’s note further informs us that this “world is unfamiliar even to readers of the original Malayalam”. The narrator, who is a sacristan, tells a story that is at once about his family and his small community that had converted to Christianity during the Portuguese period. Their past and their religious life loom large for a community making its way in a tough present. A life-affirming spirit and a quest to solve a mystery help the narrator coolly navigate a reality filled with pettiness, superstition, harshness and love.
The translations are competent. The essays of introduction do not fulfill their task equally well. Not all of them help understand what the texts might have meant for their target literary audience in terms of their stylistic novelty and thematic concern. These would have been valuable to know. Literary texts in the bhashas can lend life and depth to official facts of India’s diversity. In taking readers close to themes of great significance, the bhasha novellas discussed here will also lead them into new and familiar worlds of feeling, thinking and being and, perhaps, even awaken a desire to read them in the original.
Happy Holi 2015
Happy Holi Images
Happy Holi Quotes
Happy Holi Messages
Happy Holi Wishes
Happy Holi Shayari
Happy Holi Wallpapers
Happy Holi Photos
Happy Holi SMS
Happy Holi Songs
We at Outlookindia.com welcome feedback and your comments, including scathing criticism
1. Scathing, passionate, even angry critiques are welcome, but please do not indulge in abuse and invective. Our Primary concern is to keep the debate civil. We urge our users to try and express their disagreements without being disagreeable. Personal attacks are not welcome. No ad hominem please.
2. Please do not post the same message again and again in the same or different threads
3. Please keep your responses confined to the subject matter of the article you are responding to. Please note that our comments section is not a general free-for-all but for feedback to articles/blogs posted on the site
4. Our endeavour is to keep these forums unmoderated and unexpurgated. But if any of the above three conditions are violated, we reserve the right to delete any comment that we deem objectionable and also to withdraw posting privileges from the abuser. Please also note that hate-speech is punishable by law and in extreme circumstances, we may be forced to take legal action by tracing the IP addresses of the poster.
5. If someone is being abusive or personal, or generally being a troll or a flame-baiter, please do not descend to their level. The best response to such posters is to ignore them and send us a message at Mail AT outlookindia DOT com with the subject header COMPLAINT
6. Please do not copy and paste copyrighted material. If you do think that an article elsewhere has relevance to the point you wish to make, please only quote what is considered fair-use and provide a link to the article under question.
7. There is no particular outlookindia.com line on any subject. The views expressed in our opinion section are those of the author concerned and not that of all of outlookindia.com or all its authors.
8. Please also note that you are solely responsible for the comments posted by you on the site. The comments could be deleted or edited entirely at our discretion if we find them objectionable. However, the mere fact of their existence on our site does not mean that we necessarily approve of their contents. In short, the onus of responsibility for the comments remains solely with the authors thereof. Outlookindia.com or any of its group publications, may, however, retains the right to publish any of these comments, with or without editing, in any medium whatsoever. It is therefore in your own interest to be careful before posting.
9.Outlookindia.com is not responsible in any manner whatsoever for how any search engine -- such as Google, Bing etc -- caches or displays these comments. Please note that you are solely responsible for posting these comments and it is a privilege being granted to our registered users which can be withdrawn in case of abuse. To reiterate:
a. Comments once posted can only be deleted at the discretion of outlookindia.com
b. The comments reflect the views of the authors and not of outlookindia.com
c. outlookindia.com is not responsible in any manner whatsoever for the way search engines cache or display these comments
d. Please therefore take due caution before you post any comments as your words could potentially be used against you
10. We have an online thread for our comments policy:
You are welcome to post your suggestions here or in case you have a specific issue, to directly email us at Mail AT outlookindia DOT com with the subject header COMPLAINT